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FORE:At the head of the poets of this period stands Alexander Pope, who became the founder of a school which has had followers down to our own time. Pope was the poet of society, of art, and polish. His life was spent in London and in the country, chiefly between Binfield, in Windsor Forest, and Twickenham; and his poetry partakes very much of the qualities of that scenery��rich, cultivated, and beautiful, but having no claims to the wild or the sublime. He is opposed to poets like Milton and Shakespeare as pastures and town gardens are opposed to seas, forests, and mountains. In style he is polished to the highest degree, piquant, and musical; but, instead of being profound and creative, he is sensible, satiric, and didactic. He failed in "the vision and the faculty divine," but he possessed fancy, a moderate amount of passion, and a clear and penetrating intellect. He loved nature, but it was such only as he knew��the home-scenes of Berkshire and the southern counties, the trained and polished beauties in his gardens, the winding walks and grottoes at Twickenham. Mountains he had never seen, and there are none in his poetry. He was born in the year of the Revolution, and died in 1744, aged fifty-six; and, considering that he suffered from a feeble constitution and defective health, he was a remarkably industrious man. His pastorals appeared in Tonson's "Miscellany" when he was only twenty-one years old. Before this he had translated the first book of the "Thebais," and Ovid's "Epistle from Sappho to Phaon;" paraphrased Chaucer's "January and May," and the prologue to "The Wife of Bath's Tale." In two years after his "Pastorals" appeared his "Essay on Criticism" (1711). "The Messiah" and "The Rape of the Lock" were published in 1712��the year in which the "Spectator" died. "The Rape of the Lock" celebrated the mighty event of the clipping of a lock of hair from the head of Miss Belle Fermor by Lord Petre.[151] This act, adorned with a great machinery of sylphs and gnomes, a specimen of elegant trifling, enchanted the age, which would have less appreciated grander things, and placed Pope on the pinnacle of fame. In 1713 he published "Windsor Forest," a subject for a pleasant but not a great poem, yet characteristic of Pope's genius, which delighted in the level and ornate rather than the splendid and the wild. In 1715 appeared the first four books of his translation of Homer's "Iliad," which was not completed till 1720. This still continues the most popular translation of the great heroic poet of Greece; for although it is rather a paraphrase of this colossal yet simple poem, and therefore not estimated highly by Greek scholars who can go to the original, it has that beauty and harmony of style which render it to the English reader an ever-fascinating work. In 1717 appeared his "Epistle from Eloisa to Abelard," a poem displaying more passion than any other of Pope's writings, but too sensuous, and the subject itself far from well chosen. Next succeeded his "Odyssey" of Homer, in conjunction with Fenton and Broome, and in 1728 the first three books of "The Dunciad," in which he took a sweeping vengeance on the critics and poetasters of the time, who had assailed him fiercely on all sides, with John Dennis at their head. The vigour with which Pope wielded the satiric lash excited the wonder of the public, which had seen no such trenchant production hitherto in the language, and filled the whole host of flayed and scalded dunces with howls of wrath and agony. Pope was not sparing of foul language in his branding of others, and they were still more obscene and scurrilous in their retorts. It is questionable whether they or Pope felt the most torture; for, so far from silencing them, they continued to kick, sting, and pelt him with dirt so long as he lived. So late as 1742 he published a fourth book of the satire, to give yet one more murderous blow to the blackguard crew. Besides this satire, he modernised an edition of Donne's Satires, and produced his "Essay on Man," his "Epistle on Taste," his "Moral Essays," and other poems, down to 1740. His "Essay on Man," "Moral Essays," etc., display shrewd sense, and a keen perception of the characteristics of human nature and of the world; yet they do not let us into any before unknown depths of life or morals, but, on the contrary, are, in many particulars, unsound. In fact, these productions belong by no means to poetry, of which they exhibit no quality, and might just as well have been given in prose. On the whole, Pope is a poet whose character is that of cleverness, strong intellect, carefully-elaborative art, much malice, and little warmth or breadth of genuine imagination. He reflects the times in which he lived, which were corrupt, critical, but not original, and he had no conception of the heavens of poetry and soul into which Milton and Shakespeare soared before him, and Keats, Shelley, Coleridge, Wordsworth and Tennyson in our time have wandered at large.

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FORE:But there was another topic started in this first Imperial Parliament which was as odious to George III. as the perfidious conduct of his late Russian ally. As one means of bringing about the union with Ireland, Pitt held out to the Irish Catholics the argument that by having Irishmen in the united Parliament they would be most likely to obtain a repeal of the Catholic disabilities. Both he and Lord Cornwallis had sent circulars to this effect, anonymous, it is true, but with a secret avowal of their authorship, amongst the leading Catholics, which had a great effect in procuring their assent to the union. Lord Castlereagh, who as Secretary of State for Ireland had helped to carry the union, claimed the redemption of this pledge. The matter was talked over in the Cabinet during the autumn of 1799, and again in September, 1800. Pitt introduced the subject about the middle of January in the Privy Council. But in the interval the Chancellor, Lord Loughborough, had betrayed the plan to the king, and in conjunction with Lord Auckland had convinced his Majesty that it would involve a violation of the Coronation Oath. George was indignant, and almost furious. At the levee on the 28th of January, when Lord Castlereagh was presented, he said to Dundas, "What is this which this young lord [Castlereagh] has brought over to fling at my head?" He alluded to a plan for Catholic emancipation, and added, "I shall reckon every man my personal enemy who proposes any such measure! This is the most jacobinical thing I ever heard of." Dundas replied that his Majesty would find amongst those friendly to the measure some whom he had never supposed to be his enemies. On the 31st of January Pitt wrote to the king, assuring him that the union with Ireland would render it absolutely necessary that important questions regarding the Catholics and Dissenters should be discussed; but, as he found how extremely such[479] topics were disliked by his Majesty, and yet how just it was that Catholics should be admitted to Parliament as well as Protestant Dissenters, who were already admitted, he begged to be permitted to resign. At the same time, not to inconvenience his Majesty, he was willing to hold office till his Majesty had reconstructed a Cabinet wholly to his mind. George replied, the very next day, that Mr. Pitt's letter had occasioned him the liveliest concern; that, so far from exposing him to the agitation of this question, he had flattered himself that the union, by uniting the Protestants of both kingdoms, would for ever have excluded the question of Catholic emancipation. He expressed his ardent wish that Pitt should continue to be his Minister as long as he lived; and he only required, as a condition, that he should stave off this question. Pitt replied, on the 3rd of February, that his Majesty's determined tone on the subject of Catholic emancipation left him no alternative but to resign, in compliance with his duty; and that, as his Majesty's resolve was taken, it would certainly be best for the country that his retirement should be as early as possible. On the 5th the king wrote, accepting Pitt's resignation, though with expressions of deep regret.

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FORE:

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FORE:Meanwhile, Bute was sedulously at work to clear the way for his own assumption, not merely of office, but of the whole power of the Government. He acted as already the only medium of communication with the king, and the depositary of his secrets. He opened his views cautiously to Bubb Dodington, who was a confidant of the Lichfield House party, and still hungering after a title. Dodington advised him to induce Lord Holderness to resign and take his place, which, at first, Bute affected to disapprove of, but eventually acted upon. The first object was to get rid of Pitt, who, by his talents and haughty independence of manner, was not more acceptable to the king and his counsellor, Bute, than by his policy, which they desired to abandon. Pamphlets were therefore assiduously circulated, endeavouring to represent Pitt as insatiable for war, and war as having been already too burdensome for the nation.

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