ONE:She flushed a little."In the theatre the singing goes on sometimes while the actors are on the stage, and we got tired of it in a little while. I don't suppose the Japanese get so tired of it, or they would stop having it. Some of them admit that it would be better to have the orchestra in front of the stage, as we do; but others say that so long as the chorus must do so much towards explaining the play, they had better remain where they are. The Japanese seem to like their theatre as it is, and therefore they will not be apt to change in a hurry.
FORE:We kept to the garden fence till it brought us along the dooryard front, facing the house. Thus far the whole place seemed fast asleep. Along the farthest, the northern, side a line of planted trees ran close to a narrow wing of but one room on each of its two stories, and the upper of these two rooms was Charlotte's. Where we paused, at the dooryard gate, we could not see this wing, but we knew its exterior perfectly; it had a narrow window in front, looking into the grove, and a broader one at the rear, that overlooked an open stretch of the Wall plantation. The place seemed fast asleep, I say, but we had not a doubt we were being watched--by the two terrible dogs that guarded the house but never barked. By this time they should have recognized us and ought to be coming forward and wagging faintly, as who should say "Yes, that's all right, but we have our orders."
FORE: [Pg 88]
FORE:"After we left Sha-ho the country became rough, and the road grew steadily worse. Our ponies were pretty sure-footed, but they stumbled occasionally, and Frank narrowly escaped a bad fall. The pony went down all in a heap and threw Frank over his head. He fell on a soft spot, and so was not injured; but if the accident had happened six feet farther on,[Pg 383] or six feet farther back, it would have thrown him among the rough stones, where there were some very ugly points sticking up.
