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It is difficult for those who are accustomed to think of Paris only as it is now, to picture to themselves at all what it was like in the eighteenth century; for until years after the Revolution it was, to all intents and purposes, a medi?val city.ALL the great artists, musicians, actors, and literary people who had returned to Paris after the Terror came to the salon of Mme. de Genlis; and many were the strange and terrible stories they had to tell of their escapes and adventures.
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TWO:After expressing her satisfaction, the Empress saidAnd yet amidst all the horrors and miseries even of the six last and most awful weeks of the Terror, in daily peril of death and amongst the most frightful hardships, laughter and jokes were heard in the prisons, friendships and love affairs were formed; every one was the friend of every one.
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FORE:Poisson dune arrogance extrme,
FORE:IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.
FORE:Here is the family plate which I was able to secure for you, said he. I always kept it in hope of your return.
FORE:Another time, hearing that the Princess wanted some shoes for a ball, he sent an express which travelled night and day to Paris to get them.
FORE:Neither had she the anxiety and care for others which made heroes and heroines of so many in those awful times. She had no children, and the only person belonging to herher fatherhad emigrated. She was simply a girl of eighteen suddenly snatched from a life of luxury and enjoyment, and shrinking with terror from the horrors around and the fate before her. Amongst her fellow-prisoners was Andr Chnier, the republican poet, who was soon to suffer death at the hands of those in whom his fantastic dreams had seen the regenerators of mankind. He expressed his love and admiration for her in a poem called La jeune Captive, of which the following are the first lines:She married, in 1788, the Marquis de Grammont.
FORE:In the cell of Trzia and her companions had been massacred a number of priests on that occasion, and still upon its wall were the silhouettes marked in blood, where two of the murderers had rested their swords.
FORE:CHAPTER III
FORE:Mme. de Genlis never went to the Imperial court, but led a quiet literary life; quiet, that is to say, so far as the word can be applied to one whose salon was the resort of such numbers of people.
FORE:Ah! Madame lEtiquette, cried Marie Antoinette, laughing, God made patience the virtue of kings.

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It was naturally impossible that Mme. de Genlis should be a conspicuous member of the Orlans household and yet not mix herself up with intimacies and friendships amongst the Revolutionists, especially as some of them at that time had not shown themselves in their true colours. She corresponded with Barze, who wrote to her about her books, and whose letters were full of the simple life of the peasants and the beauties of nature in the Pyrenees, but who soon developed into one of the monsters of the Terror. She could not be blamed for that, as she did not know his real character; but the same cannot be said with regard to her friendship with Ption, whom she received in her salon and for whom she declared that up to the time of the Kings murder she had a true esteem. Now Ption was a vulgar, brutal ruffian, as any one knows who has read the account of his behaviour during the miserable affair of the return of the royal family from Varennes; and yet after that she accepted his escort to England, and said that she remained persuaded that he had a most honest, upright soul, and the most virtuous principles. There are some people who make the very names of virtue and duty obnoxious to one, and of this number was certainly Mme. de Genlis. In spite of her outcries about the injustice and falsehood of the suspicions and odium attached to her concerning her conduct at this time, and causing her afterwards considerable annoyance and difficulties, her friendships with and praises of such characters as Philippe-galit, Ption, and others, added to the way in [425] which she displayed her rejoicing in the earlier excesses of the Revolutionary party, and her constant association with the authors of the disgraceful libels and attacks upon the Queen and royal family, amply justified whatever might be said against her.IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.
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