THREE:At this period, both the grand old styles of architecture, the Gothic for ecclesiastical buildings, and the Tudor and Elizabethan for palaces and mansions, had, for a time, run their course. A classical or Italian fashion had come in, and the picturesque churches and halls of our ancestors were deemed barbarous. Inigo Jones had introduced the semi-classical style, and now Sir Christopher Wren and Vanbrugh arose to render it predominant. Wren had the most extraordinary opportunity for distinguishing himself. The fire of London had swept away a capital, and to him was assigned the task of restoring it. Wren (b. 1632; d. 1723) was descended from a clerical family. In 1651 he was appointed to the chair of astronomy at Gresham College; three years afterwards to that of the Savilian professor at Oxford. In 1661 he was appointed by Charles II. to assist Sir John Denham, the surveyor-general, and in 1663 he was commissioned to examine the old cathedral of St. Paul, with a view to its restoration in keeping with the Corinthian colonnade which Inigo Jones had, with a strange blindness to unity, tagged on to a Gothic church. The old church was found to be so thoroughly dilapidated, that Wren recommended its entire removal and the erection of another. This created a terrible outcry amongst the clergy and citizens, who regarded the old fabric as a model of beauty.They were not destined to get beyond the first fifty yards, nevertheless. The rifle that had fired at Landor as he came upon the malpais went glistening up again. There was a puff of blue-hearted smoke in the still air, and Cairness's bronco, struck on the flanks, stung to frenzy, stopped short, then gathering itself together with every quivering sinew in a knot, after the way of its[Pg 280] breed, bounded off straight in among the jagged boulders. It was all done in an instant, and almost before Landor could see who had dashed ahead of him the horse had fallen, neck to the ground, throwing its rider with his head against a point of stone.
