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FORE:In Mme. de Genlis he recognised the woman who was supposed to have been concerned in the infamous libels against the Queen; and who, with the wretched galit and his children, was seen watching from the Palais Royal the procession, which, headed by the disloyal La Fayette, and surrounded by the drunken, howling ruffians, his followers, brought the royal family prisoners to Paris.FORE:Perpetually proclaiming her religious principles [xi] and loyalty to the throne, she was suspected of being concerned in the disgraceful libels and attacks upon the Queen, was on terms of friendship with some of the worst of the revolutionists, rejoiced in the earliest outbreaks of the beginning of the Revolution, and while she educated the Orlans children with a pompous parade of virtue and strictness, was generally and probably rightly looked upon as the mistress of their father.That the false sentiment, the absurd rules of life, the irksome, unnecessary restrictions, the cramping and stifling of all the natural affections and feelings of youth here inculcated should have been regarded with approval, even by the sourest and most solemn of puritans, seems difficult to believe; but that in the society of Paris at that time they should have been popular and admired is only another example of the inconsistency of human nature. She had a passion for children, but kindness to animals does not seem to have been one of the virtues she taught her pupils. We may hope that the fearful little [xiii] prigs described as the result of her system never did or could exist.FORE:The Louvre, then filled with works of artthe [148] plunder of the rest of Europewas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, Liberty, Equality, and Fraternity, which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former daysin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.FORE:Constantine, although very young, was married to the Princess Anne of Coburg, of whom Mme. Le Brun remarked that without being so lovely as the Grand Duchess Elizabeth, she was still very pretty, very lively, and only sixteen years old. She was not happy with Constantine, from whom she separated after a time and went back to her own family.The order was given for every one to wear powder, but as Mme. Le Brun did not like it in portraits, and was painting that of Prince Bariatinski, she begged him to come without it. One day he arrived in her studio pale and trembling.FORE:All the preliminaries were arranged by the families without anything being said upon the subject to the proposed bride, nor probably to the bridegroom either, and when everything was settled it was decided that now nothing was left to do but to consult the personal inclinations of the young [192] people, in preparation for which Pauline was informed in one of the usual family councils of her approaching introduction to her fianc.FORE:The beautiful and notorious Mlle. Duth was often to be seen, amongst others, attended by an Englishman who was not so scrupulous about appearances, and whom Mme. Le Brun saw again with the same person eighteen years afterwards at a theatre in London.
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FORE:All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.FORE:It was on the 27th of July, 1794, that she started on a journey to see her father, who was living in the Canton de Vaud, near the French frontier. For two nights she had not slept from the terrible presentiments which overwhelmed her. Young de Mun went with her, and having slept at Moudon, they set off again at daybreak for Lausanne. As they approached the end of their journey they were suddenly aware of a char--banc coming towards [243] them in a cloud of dust, driven by a man with a green umbrella, who stopped, got down and came up to them. It was the Duc dAyen, now Duc de Noailles, but so changed that his daughter scarcely recognised him. At once he asked if she had heard the news, and on seeing her agitation, said hastily with forced calmness that he knew nothing, and told M. de Mun to turn back towards Moudon.
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