ONE:"We are neutrals!"Apart from legendary reputations, there is no name in the worlds history more famous than that of Socrates, and in the history of philosophy there is none so famous. The only thinker that approaches him in celebrity is his own disciple Plato. Every one who has heard of Greece or Athens has heard of him. Every one who has heard of him knows that he was supremely good and great. Each successive generation has confirmed the reputed Delphic oracle that no man was wiser than Socrates. He, with one or two others, alone came near to realising the ideal of a Stoic sage. Christians deem it no irreverence to compare him with the Founder of their religion. If a few dissentient voices have broken the general unanimity, they have, whether consciously or not, been inspired by the Socratic principle that we should let no opinion pass unquestioned and unproved. Furthermore, it so happens that this wonderful figure is known even to the multitude by sight as well as by name. Busts, cameos, and engravings have made all familiar with the Silenus-like physiognomy, the thick lips, upturned nose, and prominent eyes which impressed themselves so strangely on the imagination of a race who are accused of having cared for nothing but physical beauty, because they rightly regarded it as the natural accompaniment of moral loveliness. Those who wish to discover what manner of mind lay hid beneath this uninviting109 exterior may easily satisfy their curiosity, for Socrates is personally better known than any other character of antiquity. Dr. Johnson himself is not a more familiar figure to the student of literature. Alone among classical worthies his table-talk has been preserved for us, and the art of memoir-writing seems to have been expressly created for his behoof.79 We can follow him into all sorts of company and test his behaviour in every variety of circumstances. He conversed with all classes and on all subjects of human interest, with artisans, artists, generals, statesmen, professors, and professional beauties. We meet him in the armourers workshop, in the sculptors studio, in the boudoirs of the demi-monde, in the banqueting-halls of flower-crowned and wine-flushed Athenian youth, combining the self-mastery of an Antisthenes with the plastic grace of an Aristippus; or, in graver moments, cheering his comrades during the disastrous retreat from Delium; upholding the sanctity of law, as President of the Assembly, against a delirious populace; confronting with invincible irony the oligarchic terrorists who held life and death in their hands; pleading not for himself, but for reason and justice, before a stupid and bigoted tribunal; and, in the last sad scene of all, exchanging Attic courtesies with the unwilling instrument of his death.80
TWO:
ONE:That Plato put forward the ethical theory of the Protagoras in perfect good faith cannot, we think, be doubted; although in other writings he has repudiated hedonism with contemptuous aversion; and it seems equally evident that this was his earliest contribution to positive thought. Of all his theories it is the simplest and most Socratic; for Socrates, in endeavouring to reclaim the foolish or vicious, often spoke as if self-interest was the paramount principle of human nature; although, had his assumption been formulated as an abstract proposition, he too might have shrunk from it with something of the uneasiness attributed to Protagoras. And from internal evidence of another description we have reason to think that the Dialogue in question is a comparatively juvenile production, remembering always that the period of youth was much more189 protracted among the Greeks than among ourselves. One almost seems to recognise the hand of a boy just out of college, who delights in drawing caricatures of his teachers; and who, while he looks down on classical scholarship in comparison with more living and practical topics, is not sorry to show that he can discuss a difficult passage from Simonides better than the professors themselves.
TWO:The labour, dirt, and self-denial inseparable from the acquirement of special knowledge in the mechanic arts are strong reasons for augmenting the importance and completeness of theoretical knowledge, and while it should be, as it is, the constant object to bring everything, even manipulative processes, so far as possible, within general rules, it must not be forgotten that there is a limit in this direction.
