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ONE:

ONE:Then an elder of the family deliberately lights the first fire��a lamp hanging in the vestibule; and as soon as they see the flame the High Dastour and all those present bow in adoration with clasped hands. The bridegroom and the priest go into the house and have their hands and faces washed; then, preceded by the band and followed by all the guests, they proceed to the home of the bride.There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.

ONE:Before daybreak, before the r��veill��e, the moollah's prayer roused the Sikhs, of which two regiments were quartered in the fort; and till it was broad daylight, till the sun had chased away shadows and sadness, I still felt the melancholy, the twilight sense of uneasiness left by that slow and plaintive chant.A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet.

ONE:

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THREE:The carriage of the Rajah of Palitana awaited us this morning at Songad. As an escort two sowars in long blue cloaks and red turbans, their guns slung behind them, galloped by our vehicle. On each side of the road lay fields of scorched grass, quite burnt and very fine, glistening like silk, reflecting the sun as far as we could see.All the day long a quantity of medus? have surrounded the ship: white, as large as an ostrich's egg, with a pink or lilac heart, like a flower; others of enormous size, of a paler blue than the sea, fringed[Pg 2] with intense and luminous green��a splash of light on the dusk of the deep. Others, again, white, blossoming with every shade of rose and violet. Then, towards evening, myriads of very small ones, thickening the water, give it a yellowish tinge, clinging to the ship's side, rolling in the furrow of its wake, a compact swarm, for hours constantly renewed; but they have at last disappeared, leaving the sea clear, transparent, twinkling with large flecks of phosphorescence that rise slowly from the depths, flash on the surface, and die out at once under the light of the sky.

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ONE:While I spent the hot hours of the day in the bungalow, a flock of birds came in through the open doors, and quietly picked up the crumbs on the floor. They were followed by grey squirrels, which at first crouched in the corners, but presently, growing bolder, ended by climbing on to the table, with peering eyes, in hope of nuts or bread-crusts.In the depths of a deserted temple in the bazaar, amid heaps of rags, bones, and colourless debris, dwelt an old man, a very highly venerated fakir, motionless in his den, while around him were gathered all the masterless dogs of Srinagar, who allowed no one to come near him and flew at anybody who tried to enter the temple.

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THREE:

THREE:THE SACRED HILL

THREE:From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple tools��clumsy tools��which they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.

THREE:

ONE:In this house abode the postmaster of the Persian mails, and I wanted to register a letter for Cabul.At the back of the shops, which lie lower than the street, we could see men trampling in vats all[Pg 261] day long; they were stamping and treading on old woollen shawls, fulling them to take off the shiny traces of wear, to sell them again as new goods.

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ONE:Then a quiet little street. Our guide paused in front of a whitewashed house. An old woman came out, and with many salaams and speeches of welcome led us into a large, low room.Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.

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THREE:Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomes��a crystal of silk and frost, as it were, bright with its own light.And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was broken��the creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.