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FORE:The play was Gul-E-Bakaoli.

FORE:Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!Out of doors, meanwhile, one funeral procession almost trod on the heels of the last; at the latest gleam of day, and out towards the west, above the Field of Burning, a broad red cloud filled all one quarter of the sky.

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THREE:A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

THREE:Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the clay��pink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standing��a massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.Not far from Peshawur a legend had arisen concerning a certain Guru, that the holy man now underground grew taller every year by a foot, and the heap of stones grew longer day by day, till the English authorities had to interfere and place a guard of soldiers to check the encroachment of the tumulus on the high road.

THREE:

THREE:The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.

THREE:The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.

THREE:Then follow more trays with tufts of jasmine stuck into the heart of a pink rose; and as the guest takes one of these bouquets the servant sprinkles first the flowers and then him with rose-water.One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament on the light-coloured walls, pierced with deep windows showing foliage without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted by the sacred bull in bronze, of precious workmanship.

THREE:

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FORE:Very early in the morning we met a many-coloured caravan of men, women, and children riding astride on asses, amid baskets and bundles. They were on their way to a wedding: they had stopped to rest for the last time; and alone, far from the merry, noisy group, a "bad woman" sat down on a stone. She was on the way to the same festival, and was allowed to travel with the[Pg 288] caravan for succour in case of need; but she was not permitted to join the party.[Pg 73]

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FORE:In one room we heard music��guzlas, drums, and a vina. There were three dancing-girls. At first they only performed the Indian "goose-step," the slow revolutions growing gradually quicker. But urged by the soldiers who filled the room and beat time with their sticks on the floor, the nautch-girls marked their steps, wriggled with heavy awkward movements, and tried to dance a Highland jig, taught by two Scotch soldiers.At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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FORE:Between the large parasols are thousands of little pagodas, formed of four columns and a roof, and sheltering idols wreathed with flowers, to whom the faithful pray and bring offerings. Garlands are for ever floating down-stream, jasmine and Indian pinks, and patches of scattered rose petals; and on the banks of the river, where the sand forms little bays, flowers lie in a hem of delicate colours.

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FORE:The sweepers, the saises, the bearers, the whole tribe of noisy, idle servants��men, women, and children��all sleep out of doors in the hotter weather. And all day long the camp-bed, the two mats, and half a dozen pots, which constitute the[Pg 285] whole furniture of a family, move round the house with the shade, only settling down after dark.Near her was another woman, gone mad, dancing, her skeleton limbs contorted in a caricature of[Pg 193] grace; and a child of some few months, like an undeveloped abortion, of the colour of a new penny, with a large head rolling on a neck reduced to the thickness of the vertebr?, and arms and legs no larger than knitting-pins, but, in a sort of mockery, the swollen belly of the fever-stricken. The eyes blinked in the little wrinkled face, seeking something in vacancy; it tried to cry, but the only sound was a feeble croak.

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FORE:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spots��the lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's mother��for he was to be[Pg 252] married on the morrow��who was standing behind her son.Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.

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FORE:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple tools��clumsy tools��which they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.

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