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    FORE:But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.
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    FORE:CHAPTER IV. THE RELIGIOUS REVIVAL.
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TWO:Some thirty miles to the southeast was the Mescalero Indian Agency. Landor had consented with the worst possible grace to take her there sometime when the[Pg 184] road should be passable and safe. She had openly resented his disinclination, though she usually appeared not to notice it. "It is very natural I should want to see the place where I was born," she had said, "and I think we should both be more comfortable if you would not persist in being so ashamed of it."When the barkeeper had served the others, he turned to him. "What'll you take?" he demanded, not too courteously.
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Design is a funny word. Some people think design means how it looks. But of course, if you dig deeper it’s really how it works.

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THREE:
FORE:With the glare from the dropped light picking out things in sharp silhouette, they saw a man clamber out onto a pontoon and rescue the floating prize. Saturday, 23/08/2014

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FORE:After a time she roused herself and went into the house, and directly she came back with the baby in her arms. The younger of the two children that she had taken under her care at Stanton, the little girl, followed after her.When he had lifted the craft and headed for home, he glanced back. Saturday, 23/08/2014

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FORE:[161]Flying close to three thousand feet above Oyster Bay, level and stable, the airplane seemed to be in perfect condition. Saturday, 23/08/2014

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FORE:Such a calamity could not but be attended with the most mischievous consequences. Chatham was obliged to leave town, and seek retirement and[192] a purer air at North End, near Hampstead. Townshend, who in a few days would have ceased to be Chancellor of the Exchequer, still retained office, and now showed more freely the wild and erratic character of his genius. He had lost half a million from the revenue by the reduction of the land-tax, and he pledged himself to the House to recover it from the Americans. He declared that he fully agreed with George Grenville, even in the principle of the Stamp Act, and ridiculed the distinction set up by Chatham, and admitted by Franklin, of the difference between internal and external taxation. This was language calculated to fire the already heated minds of the colonists, who, the more they reflected on Chatham's lofty language on the supreme authority of the mother country in the declaratory Act, the more firmly they repudiated it. Saturday, 23/08/2014

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Whilst these contentions were going on, Wren had entered fairly on his profession of architect. He built the Sheldonian Theatre at Oxford, begun in 1663, and completed in 1669; and the fine library of Trinity College, Cambridge, and the beautiful square, Neville's Court, to the same college. He also built the chapels of Pembroke and Emmanuel Colleges, in the same university. In the erection of these, he suffered, from the conceit and conflicting opinions of parties concerned, a foretaste of the squabbles and contradictions which rendered the whole period of the building of St. Paul's miserable. In 1665 he found leisure to visit Paris, and study the magnificent palaces and churches with which Louis XIV. was embellishing his capital. There he got a glimpse of the design for the Louvre, which Bernini, the architect, showed him, but only for a moment; and he was in communication with Mansard, Le Vau, and Le Pautre.As the aircraft taxied to the end of the runway he saw that their expressions were doleful."After that, as I said before, you may go."Opening the throttle full-on, he kicked rudder and depressed his left wing. Around came the airplane. Skidding out of her course from the momentum and the sharp application of control, she moved sharply upward and sidewise.It was not very dark. The sky was thick with clouds, but there was a waning moon behind them. The only light in the garrison was in the grated windows of the guard-house.
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