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ONE:Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!

ONE:

ONE:In the sleeping town of Darjeeling a bell and drum were sounding to announce the Tibetan Christmas. The Brahmin paradise remained invisible and mysterious behind a clear sky studded with stars.Stones flying, sticks thrown��at a little pariah girl, whose shadow as she passed had defiled the food of a Brahmin. He merely threw away the rice, which the dogs soon finished; but the bystanders who had witnessed the girl's insolence in going so near the holy man��she so base and unworthy��flew at the unhappy creature, who ran away screaming, abandoning a load of wood she was carrying on her head.

ONE:[Pg 27]

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THREE:In the train again, en route for Ahmedabad. As we crossed the fertile plain of Gujerat the first monkeys were to be seen, in families, in tribes, perched on tall pine trees, chasing each other, or swinging on the wires that rail in the road, and solemnly watching the train go by. Peacocks marched about with measured step, and spread their tails in the tall banyan trees tangled with flowering creepers. Shyer than these, the grey secretary birds, with a red roll above their beak, seemed waiting to fly as we approached. On the margin of the lakes and streams thousands of white cranes stood fishing, perched on one leg; and in every patch of tobacco, or dahl, or cotton, was a hut perched on four piles, its boarded walls and leaf-thatch giving shelter to a naked native, watching to scare buffaloes, birds, monkeys, and thieves from his crop.DELHI.

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ONE:"The mother of Christ."We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marbles��an endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayad��res. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.

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THREE:The sultan's bath is lined with panels of lapis lazuli framed in gold, and inlaid with [Pg 210]mother-of-pearl, or looking-glass, and the walls have little hollow niches for lamps, over which the water fell in a shower into a bath with a decoration of scroll-work. And in front of Jehangir's room, again a series of basins hollowed in the steps of a broad marble stair, where a stream of water fell from one to another.

THREE:

THREE:Here, even more than at Lucknow, are the memories of 1857��columns and tombs; and on the spot where the last victims who had trusted him were murdered by the orders of the Indian prince, stands the "Memorial," an arcade [Pg 190]surrounding the figure of an angel, which in its Christmas-card sentimentality suggests the apotheosis of a fairy drama, and has the arid lack of feeling that characterizes a monochrome figure in vulgar decoration, almost counteracting the pity we experience in the presence of the simpler tombs��all bearing the same date, June, 1857.

THREE:

ONE:Birds, green, red, black, and gold-colour, fluttered gaily among the palms, the bamboos as tall as pine trees, the baobabs and mango trees; butterflies with rigid tails and large wings beating in uncertain flight, floated over the bright verdure flecked with sunshine. Round one pagoda, towering over a wretched village that lay huddled in the shade of its consecrated walls, a proud procession of stone bulls stood out against the sky, visible at a great distance in clear outline through the heated, quivering air.From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.

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ONE:The heavy door, plated with iron, was shut. Hubbub, shouts, thumps on the wood with gun-stocks��nothing stirred, no reply.

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THREE:Where the roads cross there are basins where flowers are kept fresh, and above them white pigeons are always fluttering. Public scribes, squatting cross-legged on the ground, trace letters that look like arabesques, on rice-paper with a reed pen. Those who dictate them crouch beside them with an absorbed and meditative expression, dropping out the words one by one with long pauses between.Two fakirs, squatting in a corner, gazed at the sacred stone, their bodies rigidly motionless; they did not seem to be of this world, rather to be statues of gods themselves; their eyes alone were alive��burning.