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"The house had a floor and galleries like one of our theatres, but there were only two galleries, and one of them was on a level with the parquet. The parquet, or floor, was divided into boxes, and they were literally boxes, and no mistake. They were square, and the partitions between them were little more than a foot high, with a flat board on the top for a rail. This was about five inches wide, and I soon saw what it was used for, as the people walked on it in going to and from their boxes. The boxes had no chairs in them, but they were carpeted with clean matting; and anybody could get cushions from the ushers by asking for them. Each box was intended to hold four persons; but it required that the four should not be very large, and that each should stick to his own corner. One box in front of us had six women in it, and there were two or three boxes crowded with children. They had tea and sweetmeats in many of[Pg 233] the boxes, and I noticed that men and boys were going around selling these things. I asked if we had come to the right place, as it occurred to me that it was only at the Bowery and that kind of theatre in New York that they sold peanuts and such things; but the Doctor said it was all right, and they did this in all the best theatres in Japan.
Slider 1 ONE:Of a great ocean trip:

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ONE:Through this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extrmes se touchent.

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THREE:"I don't know; hasn't he?"

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THREE:Mrs Keeling was very cunning. She would apply this to Alices quarrel with Julia and just see what Alice would say next.

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THREE:CHAPTER X."You know perfectly well," she replied.

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THREE:XXXVII A HORSE! A HORSE!

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ONE:The Curate's hands were busy again. "I really am quite at a loss," he murmured.

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THREE:

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ONE:Because a note came to the office from his wife, which I opened, not knowing her writing, which had something to do with it. He began dictating a reply for me to type-write, but I suggested he had better write a note himself."Is she alive, Kendall?" I interrupted. "Is she alive?"

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THREE:As the doctor concentrated upon a delayed tea, his mind lapsed into its usual condition of fretful scepticism. Gregg's idea that the Clockwork man represented a mystery, if not a miracle, enraged him. At forty a man does not readily welcome discoveries that may upset his own world of accepted facts, and Allingham had long since given up the habit of following the latest results of scientific investigation. Years ago he had made his own small researches, only to discover that others were making them at the same time. He had had his gleamings in common with all the other students of his year. Everybody was having gleamings then of vast possibilities in medical science, especially in the direction of nervous pathology and the study of morbid diseases resulting from highly complex methods of living. There had been much sound work, a good deal of irresponsible mud-raking, and, in Allingham's case, a growing suspicion that the human organism was not standing very well the strains imposed upon it by modern civilisation. He had wondered then if some experiments would not be made some day in[Pg 45] the pursuit of evolutionary doctrines as applied to physiological progressbut that had been the most ephemeral of all his gleams.

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THREE:"Heroes," suggested Rose, whose knowledge of literature was not very wide.

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THREE:XXXVII A HORSE! A HORSE!BELFRY IN COURT-YARD OF TEMPLE, SHOWING THE STYLE OF A JAPANESE ROOF. BELFRY IN COURT-YARD OF TEMPLE, SHOWING THE STYLE OF A JAPANESE ROOF.

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THREE:"Conjuring," said the Clockwork man, slowly, "obsolete form of entertainment. Quickness of the hand deceives the eye."I dont want to catch you up, he said. I only want to know why Alice should not be here when I bring Miss Propert in to wait for a cab. You cant give me any reason because there is no reason. Lets get that clear, and then I want to talk about something else.

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ONE:

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TWO:Suddenly it struck this unfortunate clergyman that his words might conceivedly bear a disastrous interpretation to his adorer. Anything was better than to let such an interpretation become coherent: he felt that Alice had been encouraged to be on the point of proposing to him. Without a moments delay (since every moment was precious so long as Alice did not take possession of it) he switched off violently on to religious topics. Just now they had seemed dangerous to him, at this awful moment they presented the appearance of an Ark of Refuge.He looked at me for an answer until I became frightened. Was my late folly known to this crawling maligner after all? A sweet-scented preparation I've had, thought I, but aloud I said only, "If Ned Ferry clears out, I suppose we must clear out, too."

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TWO:"But the proof," interjected Gregg, "you cannot escape from the facts. There lies the Clockwork man. Explain him otherwise if you can.""Such a jolly little place," he mused. "You could have such funand be yourself. I wonder why it reminds me so of somethingbefore the days of the clock, before we knew."

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TWO:"Pardon me, I know better. This is his scheme." She laid her free hand on our two. "Tell me you will not go to that house!"

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ONE:"It was like a great shed, and it had the solid ground for a floor. On this floor there were kettles, or pans, set in brickwork, and each one of them had a little furnace under it, in which there was a charcoal fire. There must have been two hundred of these pans, and the heat from them was so great that it almost took away my breath. I don't believe I could exist there a day, and yet there were people who had to spend the entire day[Pg 268] in the firing-room, and go there day after day besides. Many of them were women, and some of them had little children strapped to their backs, and there was a whole lot of children in a little room at one side of the shed, where a couple of women were looking after them. How I did pity the poor things! Fred and I just emptied our pockets of all the small change we could find in them for the benefit of the babies, and I wish we could have given them more. But there was hardly a cry from any of them, and they seemed as happy and contented as though their mothers were queens, instead of toiling over the firing-pan in that hot room for ten or fifteen cents a day.I should be very sorry to have been the cause of that, he said, and I dont think it would be logical of you. You urged me to withdraw, which was the most you could do after you had promised to propose me.

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"You must understand," resumed the Clockwork man, making a rather painful effort to fold his arms and look natural, "you must understandclickclickthat it is difficult for me to carry on conversation in this manner. Not only are my speech centres rather disorderedG-r-r-r-r-r-rbut I am not really accustomed to expressing my thoughts[Pg 143] in this way (here there was a loud spinning noise, like a sewing machine, and rising to a rapid crescendo). My brain issoconstituted that actionexcept in a multiform worldis bound to be somewhat spasmodicPfftPfftPfft. In factPfftit is onlyPfftbecause I am in such a hopehopehopeless condition that I am able to converse with you at all.""We can travel by rail almost anywhere," said he, "and needn't come away from America to do so. Now, instead of going to Osaka by rail, which wouldn't be anything remarkable, suppose we go by a Japanese junk. I have been asking the hotel-keeper about it, and he says it is perfectly easy to do so, and that we can sail there with a fair wind in a few hours."And then he remembered the sudden growth of beard, and decided that it was useless to pursue that last thin thread of suspicion in his mind. For several seconds he said nothing at all, and the Clockwork man seemed to take advantage of the pause in order to wind himself up to a new pitch of coherency.
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