FORE:In July of the present year the union of Ireland with Great Britain was carried. Pitt and Lord Cornwallis had come to the conclusion that a double Government was no longer possible, and that unless the Irish were to be allowed to exterminate one another, as they had attempted to do during the late rebellion, the intervention of the British Parliament was absolutely necessary. A resolution had passed the British Parliament in 1799, recommending this union, and the news of this created a tempest of indignation in Protestant Ireland. In January, 1799, the speech on the Address to the throne in the Irish Parliament was, on this account, vehemently opposed, and an amendment was carried against the Government by a majority of one; yet in January, 1800, a motion was carried, at the instigation of Lord Castlereagh, the Secretary, in favour of the union, by a majority of forty-two. Whence this magical change in twelve months? On the 5th of February the whole plan of the union was detailed by Lord Castlereagh, the principal Secretary of State for Ireland, in the Irish Commons. He stated that it was intended to give to Ireland in the Parliament of the United Kingdom four lords spiritual sitting in rotation of sessions, and twenty-eight lords temporal elected for life by peers of Ireland, and that the Irish representatives in the united House of Commons should be a hundred. The motion for this plan was carried in the Irish Commons by a majority of forty-two in spite of a magnificent speech from Grattan, and by a great majority in the House of Lords; but this was in the face of the most unmitigated amazement on the part of the opposition, and of the people, who were not in the secret. Their rage was beyond description. On the 13th of March Sir John Parnell declared that this measure had been effected by the most unexampled corruption, and moved for an Address to his Majesty, imploring him to dissolve this Parliament, and present the question to be decided by a new one. But the Solicitor-General declared that this motion was "unfurling the bloody flag of rebellion;" and Mr. Egan replied that the Solicitor-General and other members of the[475] administration had already "unfurled the flag of prostitution and corruption." But the measure was now passed, and that by the same Parliament which, only a year before, had rejected the proposition in toto. But what were the means employed by the British Government to produce this change? The answer is simple; a million and a quarter was devoted to the compensation of borough owners, lawyers who hoped to improve their prospects by entering the House, and the Dublin tradesmen.
FORE:Amongst other authors of the time, then very popular, but now little read, were Armstrong, author of "The Art of Preserving Health;" Akenside, of "The Pleasures of Imagination;" Wilkie, of "The Epigoniad;" and Glover, of the epic of "Leonidas." Falconer's "Shipwreck" and Beattie's "Minstrel" are poems much more animate with the vitality of grace and feeling. Then there were Anstey, with his "Bath Guide," half descriptive and half satiric; Stephenson's "Crazy Tales;" Mason's "Isis," a satire on the University of Oxford, and his tragedies of "Elfrida" and "Caractacus," which, with other poems by the same author, enjoyed a popularity that waned before more truly living things. Then there were the brothers Joseph and Thomas Warton. Both of these deserve to be mentioned amongst our first-rate prose writersJoseph for his excellent "Essay on the Genius and Writings of Pope," and Thomas for his "History of English Poetry," and this is merely a fragment, coming down only to the reign of Queen Elizabeth. But that which, at this period, produced a thorough reform of our poetry was the publication of "The Reliques of Ancient English Poetry," by Bishop Percy. These specimens of poetry went back beyond the introduction of the French model into Englandto the times when Chaucer, and still earlier poets, wrote from the instincts of nature, and not from scholastical or fashionable patterns. In particular, the old ballads, such as "Chevy Chace," "The Babes in the Wood," and the like, brought back the public taste from the artificial to the natural. The simple voice of truth, pathos, and honest sentiment was at once felt by every heart, and the reign of mere ornate words was over. After the Reliques came "The Border Minstrelsy" of Scott and completed the revolution. These ancient ballads, in both Percy and Scott, were found, in many instances, to be founded on precisely the same facts as those of the Swedes and Danes, collected seventy years before, thus showing that they were originally brought into Great Britain by the Scandinaviansa proof of their high antiquity. A similar return to nature was going on in Germany and the North of Europe, showing that the very collection of Percy's "Reliques" originated in some general cause, and that cause, no doubt, was the universal weariness of the artificial style which had so long prevailed in literature.