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ANNE PAULE DOMINIQUE DE NOAILLES was by birth, character, education, and surroundings a complete contrast to our last heroine. She belonged to the great house of Noailles, being the fourth of the five daughters of the Duc dAyen, eldest son of the Marchal Duc de Noailles, a brilliant courtier high in the favour of Louis XV.

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M. de Montbel had waited for nearly an hour, when suddenly a suspicion seized him. Springing [276] up suddenly he ran to the cottage, opened the door of one room, then another, then a third, and stood still with a cry of consternation.
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TWO:The demi-monde at that time kept themselves apart from the rest of the company; Frenchmen of good position and manners did not appear with them in public. If they were with them at the theatre it was in a closed box; though in her Souvenirs Mme. Le Brun declares that the fortunes made by them and the men ruined by their extravagance far surpassed anything of the kind after the Revolution.

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TWO:They stood in astonishment looking after the soldiers, and then turning, walked sorrowfully back to the ruins, where a decently dressed working man who had been observing them, came up and again asked them the same question.In Mme. de Genlis he recognised the woman who was supposed to have been concerned in the infamous libels against the Queen; and who, with the wretched galit and his children, was seen watching from the Palais Royal the procession, which, headed by the disloyal La Fayette, and surrounded by the drunken, howling ruffians, his followers, brought the royal family prisoners to Paris.

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TWO:Tallien had no wish to separate from Trzia. He cared more for her than she for him, but he saw that her love was gone; he had failed with her as with everything else. He submitted, and begged to be allowed to accompany Napoleon to Egypt, why, no one could understand, unless he feared he might share the fate of Billaud-Varennes, Collot dHerbois, Barre, and other of his regicide friends, meditating at Cayenne upon the result of the Revolution. [108]

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TWO:And step by step she was drawing away from the Revolution. She had had enough of it, and she began to feel that disgust and horror were taking the place of the frantic admiration she had entertained for it in former years. And the finishing stroke was put by hearing herself called, as she walked with Tallien in Cours la Reine one evening, Notre Dame de Septembre.It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.

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TWO:
FORE:One of her new friends was the Countess Kinska, who, as she observed, was neither maid, wife, nor widow, for she and her husband had been married according to their parents arrangement, without ever having seen each other, and after the ceremony Count Kinska, turning to her, said

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FORE:Her extraordinary carelessness about everything but her painting, caused her to make no sort of preparations for this event; and even the day her child was born, although feeling ill and suffering at intervals, she persisted in going on working at a picture of Venus binding the wings of Love.She had had great success in the number of important pictures she painted at Naples; and her [107] career at Rome was equally prosperous. She had plenty of money now, and nobody to meddle with it, and if it had not been for the constant anxiety about France she would have been perfectly happy. But French news was difficult to get and bad when it was obtained.

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FORE:Then, taking the hand of Mme. de Polignac she turned it over several times, examining it carefully, and said: You are, like the other, in the service of the same lady, who loves you so much that she confides to you her most precious jewels. You love her just as much, but still, in a short time you will leave that lady in haste, and what is more, you will not feel tranquil until you have put three great rivers between you and her. She will cry bitterly when you leave her and yet be very glad of the separation.Such were the exhortations which at one time or another were poured into the Kings ears and to which he would never listen. [95] There was no more [295] to be said. The Comte dArtois declared he would never leave his brother unless expressly ordered to do so. Louis gave that command, desiring the Prince to escape with his wife and children to their sister Clotilde at Turin; and then with tears and sobs the Comte and Comtesse dArtois embraced the King and Queen and tore themselves away.

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FORE:The arrangement proved entirely satisfactory. Lisette went about all day with M. Denon, in gondolas, and to see everythingchurches, pictures, palaces; every one who knows Venice even now, knows it as a place of enchantment, unlike anything else on earth; and in those days the Doge still reigned, modern desecrations and eyesores were not, and the beauty of the life and surroundings of the Queen of the Adriatic was supreme.

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FORE:It was remarked later that under Louis XIV. no one dared think or speak; under Louis XV. they thought but dared not speak; but under Louis XVI. every one thought and spoke whatever they chose without fear or respect.

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FORE:ALL the great artists, musicians, actors, and literary people who had returned to Paris after the Terror came to the salon of Mme. de Genlis; and many were the strange and terrible stories they had to tell of their escapes and adventures.

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THREE:Alas! Madame, the sight of you recalls to me a [472] recollection so fearful, that I would give my life to blot it out of my memory. I was one of those who beat the drums in the place de la Rvolution on the 27th January.The attraction he felt for Mme. de Genlis, which had such a powerful influence upon her life and so disastrous an effect upon her reputation, had not begun when she first took up her abode at the Palais Royal.

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THREE:The brothers of Napoleon came to see the pictures of Mme. Le Brun, which Lucien especially greatly admired.
TWO:CHAPTER VI

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I have no one with me, replied she, but my daughter and her governess.The Abbesse de Montivilliers was one of the greatest abbesses in France, and was at the time this happened Mme. du Froulay, whose niece, Mme. de Crquy, then a pensionnaire in the abbey, relates the story.He persevered accordingly, passed safely through the Revolution, and was a favourite court painter during the Empire and Restoration.[190]
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