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ONE:My friend T��, long a resident in India, and quite unmoved by the habitual turmoil of the native Hindoos, finally settled the difficulty between the cabbage of the priests and the soldiers' goat; the men would put on hemp-shoes, and we also, over our leather boots; as to the belt and gun-slings, as they only touched the soldiers themselves, they could defile nothing and might be allowed to pass.

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TWO:Birds, green, red, black, and gold-colour, fluttered gaily among the palms, the bamboos as tall as pine trees, the baobabs and mango trees; butterflies with rigid tails and large wings beating in uncertain flight, floated over the bright verdure flecked with sunshine. Round one pagoda, towering over a wretched village that lay huddled in the shade of its consecrated walls, a proud procession of stone bulls stood out against the sky, visible at a great distance in clear outline through the heated, quivering air.

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TWO:Outside the fort which guards the opening of the pass there was confusion; a mad scurry of men, running, shouting, hustling. Quite a complicated m��l��e of animals bolting, elephants and camels let loose and impossible to overtake, but caught at last.In the depths of a deserted temple in the bazaar, amid heaps of rags, bones, and colourless debris, dwelt an old man, a very highly venerated fakir, motionless in his den, while around him were gathered all the masterless dogs of Srinagar, who allowed no one to come near him and flew at anybody who tried to enter the temple.

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TWO:

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ONE:MURREEThe hills are left behind us; the plateau of Cashmere spreads as far as the eye can see, traversed by the glistening Jellum, that slowly rolling stream, spreading here and there into lakes.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:Beyond a wide valley that lay far beneath us a mountain-range gleamed softly in the blue distance, starry and sapphire-hued above rising levels of delicate green. Here, in the fresher air, floated the fragrance of mosses and alpine flowers, and above the[Pg 127] cascades falling in showers we could see the tangle of climbing plants, ferns, orchids, and hibiscus, a swaying curtain all woven of leaves and blossoms.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.

TWO:To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest class��embroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:In the plain, beyond shady avenues of tamarind and terminalia trees, Hardwar begins again, a second town of large buildings, buried in the greenery of banyans and bamboos. Here again was the ghost of a bazaar, where all seemed dead under the bleaching sun��a bazaar bereft of sellers, no one in the booths, and no buyers in the deserted streets.Another fakir, a young man, had come to sit at the elder's feet, and when I had finished my business the "holy man" began to knead his disciple's muscles, wringing and disjointing his arms and dislocating his left shoulder; and, as if in mockery of my distressed expression, he bent the lad's back inwards till his face was between his heels, and left him for a long minute in that torturing position.

ONE:A salesman of whom I had bought several things, wishing to do me a civility, called a tom-tom player, who was to escort me home rapping on his ass's[Pg 215] skin; and when I declined very positively, the poor man murmured with a piteous, crushed look:[Pg 201]

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:Another temple��carved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspective��a plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.

FORE:And at this day the high road passes Secundra Bagh in ruins, and on the ground where Nana Sahib's soldiers fell, huge flowers are strewn of "flame of the forest" fading into hues of blood.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.

FORE:And the figures go down after long discussions, till at last the question as to whether I know the worth of pashmina begins all over again��endless.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.

FORE:The cathedral, embowered in shrubs and tall banyans, stands on a square, where a pedestal awaits the bust of Dupleix.This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.

FORE:In booths between these houses, the gamblers, standing round a board with numbered holes, were watching the ball as it slowly spun round, hit the edge, seemed to hesitate, and at last fell into one of the cups. Four-anna pieces, ten-rupee notes��anything will serve as a stake for the Hindoo ruffian in a starched shirt-front, low waistcoat and white tie, above the dhouti that hangs over his bare legs; or for the half-tipsy soldier and sailor,[Pg 28] the cautious Parsee who rarely puts down a stake, or the ragged coolie who has come to tempt fortune with his last silver bit.All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.

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TWO:Stations for prayer stand all along the road; little open shrines, where footprints are worshipped, stamped on flags of white marble, a large footprint surrounded by a dozen of a child's foot.

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ONE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance."Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.

From the purely practical to the richly philosophical, design is the solution to a host of challenges.

ONE:GWALIOR

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ONE:

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.

ONE:Japanese girls, too, in every possible hue, with piles of tinsel and flowers above their little flat faces all covered with saffron and white paint; little fidgeting parrakeets flitting from window to window, and calling to the people in the street in shrill, nasal tones.

FORE:Finally, in a third mosque, lies Shah Alam's brother. On the stone that covers him a sheet of lead bears the print of two gigantic feet, intended to perpetuate to all ages the remembrance of his enormous height.In the midst of a large room crowded with women in light-hued sarees, the bridegroom takes his seat between two tables, on which are large trays of rice. Facing him is a chair, and one is occupied by the bride, who is brought in by a party of girls. She is scarcely fourteen, all in white; on her head is a veil of invisibly fine muslin ten folds thick; it enfolds her in innocence, and is crowned with sprays of myrtle blossom.

Published Aug 30.

TWO:AT SEAThe ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

FORE:

Published Aug 28.

TWO:At night, when the fog had at last cleared off, a column of fire was piled up on the engine; it shone[Pg 154] on the smooth trunks of the "flame of the forest," which looked like the pillars of a cathedral, on the sparkling water-springs all hung about with prayer-strips, on the veronica shrubs covered with flowers and as tall as trees, and the sheaves of bamboo and fern; or it lighted up the hanging screen of creepers, the impenetrable jungle growth that shut in the silence of the sleeping forest.BENARES

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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THREE:From Lahore hither is an almost uninterrupted series of encampments��English and native regiments established in huts in the open fields far from every town, close only to the railway line. At one station a detachment of Indian guards were drawn up, and Abibulla declared from the number of men that they must be expecting a general at least; but nothing was discharged from the train but some cases of rupees, checked off by two English officers, and then carried to the barracks under the escort of sepoys.

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THREE:[Pg 19]To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayad��res appeared��three girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.

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THREE:In the afternoon the Minister came to take us to the palace. The Rajah, with his cousins, met us at the[Pg 66] foot of the grand staircase; a detachment of sowars were on guard. With great ceremony, preceded and followed by an army of officials and attendants, we went up to a room where a silver throne, inlaid with gold, of exquisite workmanship, between two armchairs of massive silver, looked quite out of keeping with gilt wood chairs with tapestry seats, and the everlasting Brussels carpet of poor and glaring design. On the various tables was the latest trumpery from Oxford Street��plush frames and varnished wooden screens; a shower of glass lustres hung from the ceiling.

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FORE:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.

A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.Through the half-open doors in the courtyards bones were bleaching, almost buried under the fine powder that lies on everything. And from this dust, as we trod it, rose a sharp smell of pepper and smoke. Twisted branches drooped forlorn from the skeletons of a few trees that were left standing. Parasitic creepers had woven a flowing robe of tangle over a statue of Kali, left unbroken in front of a small temple in ruins; and all over the withered[Pg 198] and faded growth the fine white dust had settled in irregular patterns, a graceful embroidery rather thicker in the folds.A poor sick ape, beaten by all the others, sat crying with hunger at the top of a parapet. I called her for a long time, showing her some maize on a tray. At last she made up her mind to come down. With the utmost caution she reached me, and then, after two or three feints, she struck the platter with her closed fist, sending all the grain flying. Utterly scared, she fled, followed to her perch by a whole party of miscreants roused by the gong-like blow on the tray. Others stole into the temple to snatch the flowers while the attendant priest had his back turned; and when I left they were all busily engaged in rolling an earthenware bowl about, ending its career in a smash. In front of the temple the crimson dust round a stake shows the spot where every day the blood is shed of a goat sacrificed to the Divinity.

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