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In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.

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They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.
 
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ONE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.
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TWO:Further on, in the temple stables, open to the sky and surrounded by a colonnade of carved and painted pillars, some women, in silken sarees of dark hues, were waiting on the bulls and the tiny zebu cows, feeding them with the flower offerings strewn on the mosaic pavement of the courtyard.Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

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FORE:By the side of the Manumenka stand two stel?, on which two carved figures, represented as surrounded by flames, preserve the memory of the time when the funeral pyre consumed the living wife with the dead husband.

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FORE:And the figures go down after long discussions, till at last the question as to whether I know the worth of pashmina begins all over againendless.

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FORE:[Pg 211]Adjacent to this temple was the court-house, a hall of ancient splendour in the time of the kings of Kandy. It stood wide open, the walls lined with carved wood panels. The court was sitting under the punkhas that swung with regular monotony, the judges robed in red. One of the accused, standing in a sort of pen, listened unmoved to the pleading. A large label bearing the number 5 hung over his breast. Behind a barrier stood other natives, each decorated with a number, under the charge of sepoys. One of them, having been wounded in the murderous fray for which they were being tried, lay at full length on a litter covered with pretty matting, red and white and green, stretched on bamboo legs. A long robe of light silk enveloped his legs, and he alone of them all had charming features, long black eyes with dark blue depths, his face framed in a sort of halo of silky, tangled hair. He, like the man now being sentenced and those who had gone through their examination,[Pg 129] seemed quite indifferent to the judges and the lawyers. He mildly waved a palm leaf which served him as a fan, and looked as if he were listening to voices in a dream, very far away.

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FORE:Below one of the palaces is a huge statue of Vishnu Bhin in a reclining attitude, daubed with ochre, the face flesh-colour and white; a statue which is carried away every year by the floods and restored every year in its pristine grossness.

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FORE:The storm raged on all day, bringing down clouds that swept the earth and yawned in cataracts, to the awful roar of the thunder that shook the foundation of rock.

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TWO:The heat to-day has suddenly become stifling; the low clouds veil the colourless sun, and the flowers, which yesterday were still lovely, are now[Pg 278] withered and pallid, and only give out their scent in the evening, when it is cool again.
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THREE:As we went down to the shore a whole swarm of little dark boys wanted to sell scarabs, rattans, birds' nests shaped like pockets, and dream-flowers, gathered from the creepers on the temples; large almond-scented lilies, and hanging bunches of the ebony-tree flowers, so fragile in texture and already faded in the sun, but exhaling till evening a faint perfume of verbena and lemon.
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THREE:One of them was standing against a curtain of black satin embroidered with gold; muslin that might have been a spider's web hardly cast a mist over her sheenless skin, pale, almost white against the glistening satin and gold, all brightly lighted up. With a large hibiscus flower in her hand she stood in a simple attitude, like an Egyptian painting, then moved a little, raising or lowering an arm, apparently not seeing the passers-by who gazed at herlost in a dream that brought a strange green gleam to her dark eyes.
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TWO:Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings.
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TWO:At an angle of the stairs of violet-tinted stone, which lead to the summit of the hill, a tablet of green marble, engraved in flowing Arabic characters, remains uninjured, the record of the great deeds of some emperor of Golconda.
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And under an arcade priests were hanging the shrine with wreaths of pink and yellow flowers, in preparation for its nocturnal progress, while an old woman, all alone, was bathing in the tank, with much splashing and noise of waters.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the grounda white mass[Pg 142] dimly lighted by a few lanternsand sang to the music a soft, monotonous chant.After bathing, during their long prayers to the gods of the river, almost as sacred here as it is at Benares, the pilgrims threw grain to the half-tame fish. Steering vigorously with their tails, the creatures turned and rolled, making eddies of light in the water, and hurrying up to the falling grain occasionally upset the equilibrium of some old woman still taking her bath. At the top of the bank, in the blazing sunshine, two fakirs, squatting in the dusty road, remained unmoved by all this turmoil, seeing nothing, hearing nothing, absorbed in a fixed thought which concentrated their gaze[Pg 297] on an invisible point. The fall of an old woman into the Ganges, with all the shouting that such an incident entails in India, left them quite indifferent; they did not stir, did not even glance at the river as the woman was taken out unconscious.All round the Royal Hill ancient buildings are piled in stages, the remains of still majestic magnificence. The thorn-brakes cover supporting walls as broad as crenellated terraces; fragments of light and fantastic architecture stand up from amid golden blossoms; tottering colonnades overhang tanks, all green at the bottom with a pool of brackish water.
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