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"Well, it seems that some Chinese pirates determined to capture this boat, murder all the foreigners on board, rob the Chinese passengers, and then get away on a junk that was to be ready to receive them. They made their plans, and on a certain day fifty of them took passage from Canton to Hong-kong. When about half way, they were to meet a junk with more men; and as the junk hung out her signal and came near, the fellows were to fall upon us with their knives, and capture the boat. They intended to kill us all, but their scheme failed, as there were four ships at anchor that day close by the spot where the junk was to meet them, and so the junk took the alarm and left. There was no disturbance, and we did not have a suspicion of anything wrong. Finding they had failed with us, they went the next day and captured the steamer Spark, which runs between Canton and Macao. They killed the captain and officers and the only European passenger who happened to be on board,[Pg 404] plundered all the native passengers, and got away. Some of them were afterwards captured, and confessed to their part in the affair, and then the whole story came out that they had intended to rob this boat. Since then we always have the gratings down, so that the third-class passengers cannot come on deck; and we keep plenty of rifles and revolvers in the pilot-house and captain's cabin ready for use. They may never try it on us again, and we don't intend to give them a chance to do so."II"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.

ONE:She dropped a hand to Ferry's to receive again the neglected letter, and chanced to take it by the corner that held the ring. With that she stared at us, fingered it, rended the envelope, gave one glance to her own name engraved inside a plain gold ring of the sort New Orleans girls bestow upon those to whom they are betrothed, and springing to the ground between our two candles, bent over the open page and cried through a flood of tears, "Oh, God, have mercy on him, he is gone! He is gone, Edgard! Oh, Edgard, he is gone at last; gone beyond all doubt, and our hands--our hands and our hearts are clean!"

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ONE:XXXIV THE CHARGE IN THE LANEOne of the most interesting street sights of their first day in Pekin was a procession carrying a dragon made of bamboo covered with painted paper. There was a great noise of tom-toms and drums to give warning of the approach of the procession, and there was the usual rabble of small boys that precedes similar festivities everywhere. The dragon was carried by five men, who held him aloft on sticks that also served to give his body an undulating motion in imitation of life. He was not pretty to look upon, and his head seemed too large for his body. The Chinese idea of the dragon is, that he is something very hideous, and they certainly succeed in representing their conception of him. Dr. Bronson explained that the dragon was frequently carried in procession at night, and on these occasions the hollow body was illuminated, so that it was more hideous, if possible, than in the daytime.

TWO:"Can I do anything for you?" he enquired, almost in a whisper. Suddenly, the strange figure seemed to achieve a sort of mastery of himself. He began opening and shutting his mouth very rapidly, to the accompaniment of sharp clicking noises.��I don��t think mother is in yet,�� she said. ��We won��t wait tea for her. Buns? There they are. And it��s two lumps of sugar, isn��t it? And how are you?��

日本化学機械製造は、国内外に豊富な実績を持つプラントエンジニアリングとものづくりのプロフェッショナル集団です。
設計?製造?建設?メンテナンスまで自社一貫で担い、
顧客企業様の課題を解決するベストパートナーであるために日々前進し続けています。
オンリーワンの技術を武器に、私たちと一緒にあらゆる分野のプラントエンジニアリングに挑戦してみませんか。

TWO:"I beg your pardon," said Arthur, hastily.

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TWO:HIOGO (KOBE). HIOGO (KOBE).XXVI A SALUTE ACROSS THE DEAD-LINE

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TWO:Frank thought it was pretty nearly time to be thinking about the purchases he was to make for Mary. So he looked up the paper she gave him before his departure, and sat down to examine it. The list was not by any means a short one, and on consulting with the Doctor he learned that it would make a heavy inroad upon his stock of cash if he bought everything that was mentioned. He was rather disconcerted at the situation, but the good Doctor came to his relief.

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