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"I hope they get him," Leona said between her teeth. "I hope they get him. And may they keep him for the rest of his life."It will be proper to mention here, what will be more fully pointed out in the Introduction, that although workshop processes may be scientifically explained and proved, they must nevertheless be learned logically. This view, it is hoped, will not lead to anything in the book being construed as a disparagement of the importance of theoretical studies.56
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"I will be guided entirely by you," he said. "You tell me that that vile woman will be punished, and I believe you. Strange that she should be mixed up with the lives of people you care for also. You must have been sure of your ground to let her escape you tonight."It has been doubted, we think with insufficient reason, that Lucretius was acquainted at first hand with Empedocles.204 But, by whatever channel it reached him, the enthusiasm of Empedocles and the Eleates lives in his verse no less truly than the inspiration of Aeolian music in the song of his younger contemporary, Catullus. The atomic theory, with its wonderful revelations of invisible activity and unbroken continuity underlying the abrupt revolutions of phenomenal existence, had been the direct product of those earliest struggles towards a deeper vision into the mysteries of cosmic life; and so Lucretius was enabled through his grasp of the theory itself to recover the very spirit and passion from which it sprang.205Yet, however much may be accounted for by these considerations, they still leave something unexplained. Why should one thinker after another so unhesitatingly assume that the order of Nature as we know it has issued not merely from a different but from an exactly opposite condition, from universal confusion and chaos? Their experience was far too limited to tell them anything about those vast cosmic changes which we know by incontrovertible evidence to have already occurred, and to be again in course of preparation. We can only answer this question by bringing into view what may be called the negative moment of Greek thought. The science of contraries is one, says Aristotle, and it certainly was so to his countrymen. Not only did they delight51 to bring together the extremes of weal and woe, of pride and abasement, of security and disaster, but whatever they most loved and clung to in reality seemed to interest their imagination most powerfully by its removal, its reversal, or its overthrow. The Athenians were peculiarly intolerant of regal government and of feminine interference in politics. In Athenian tragedy the principal actors are kings and royal ladies. The Athenian matrons occupied a position of exceptional dignity and seclusion. They are brought upon the comic stage to be covered with the coarsest ridicule, and also to interfere decisively in the conduct of public affairs. Aristophanes was profoundly religious himself, and wrote for a people whose religion, as we have seen, was pushed to the extreme of bigotry. Yet he shows as little respect for the gods as for the wives and sisters of his audience. To take a more general example still, the whole Greek tragic drama is based on the idea of family kinship, and that institution was made most interesting to Greek spectators by the violation of its eternal sanctities, by unnatural hatred, and still more unnatural love; or by a fatal misconception which causes the hands of innocent persons, more especially of tender women, to be armed against their nearest and dearest relatives in utter unconsciousness of the awful guilt about to be incurred. By an extension of the same psychological law to abstract speculation we are enabled to understand how an early Greek philosopher who had come to look on Nature as a cosmos, an orderly whole, consisting of diverse but connected and interdependent parts, could not properly grasp such a conception until he had substituted for it one of a precisely opposite character, out of which he reconstructed it by a process of gradual evolution. And if it is asked how in the first place did he come by the idea of a cosmos, our answer must be that he found it in Greek life, in societies distinguished by a many-sided but harmonious development of concurrent functions, and by52 voluntary obedience to an impersonal law. Thus, then, the circle is complete; we have returned to our point of departure, and again recognise in Greek philosophy a systematised expression of the Greek national genius."That is a very fair question," Lawrence admitted.In the theory of reasoning the simple proposition is taken as a starting-point; but instead of deducing the syllogism379 from the synthesis of two premises, Aristotle reaches the premises through the conclusion. He tells us, indeed, that reasoning is a way of discovering from what we know, something that we did not know before. With him, however, it is really a process not of discovery but of proof. He starts with the conclusion, analyses it into predicate and subject or major and minor, and then, by a further analysis, introduces a middle term connecting the two. Thus, we begin with the proposition, Caius is mortal, and prove it by interpolating the notion humanity between its two extremes. From this point of view the premises are merely a temporary scaffolding for bringing the major and minor into connexion with the middle term; and this is also the reason why Aristotle recognises three syllogistic figures only, instead of the four admitted by later logicians. For, the middle may either be contained in one extreme and contain the other, which gives us the first figure; or it may contain both, which gives the second figure; or be contained in both, which gives the third; and this is an exhaustive enumeration of the possible combinations.274
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