THREE:Instead of the keys of the abbey strange news was brought to Mme. de Toustain. A rich and vigorous farmer had just been attacked on the high road. He had stunned with his club one of his assailants whom the soldiers of the marchausse had brought with his accomplice to the archway. They asked for the prison to be opened to put them in, and for the farmer to be allowed to pass the night in the precincts, that he might not fall into the hands of the other robbers. The Prioress having replied that it was too late, they woke the Abbess, who ordered all the doors to be opened that the brigadier required, but the old Prioress was so obstinate about the rules that the Abbess had to get up herself and demand the keys, which otherwise she would not give up.In the convent they were safe and at peace, except for another illness of Mademoiselle dOrlans, which left her so weak that Mme. de Genlis was afraid to tell her of the execution of her father in the November of 1794. She persuaded her not to read the French papers, telling her they were full of blasphemies and indecencies not fit for her to see. She had already received news of the execution of her husband, M. de Sillery, by which she was prostrated for a time.
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THREE:The breathing time given to unhappy Bordeaux [313] came to an end. Tallien was recalled, and his place filled by the ferocious Jullien.
THREE:After a time she went to Milan, where she was received with great honour. The first evening she was serenaded by all the young men of the chief Milanese families, but, not knowing that all this music was on her account, she sat listening and enjoying it with composure, until her landlady came and explained. She made an excursion to the lakes, and on her return to Milan decided to go to Vienna, seeing that France would be out of the question for an indefinite time.
THREE:as she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder.