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THREE:All these circumstances taken together would permit the Roman women to have opinions of their own if they liked, and would ensure a respectful hearing for whatever they had to say; while the men who had opinions to propagate would, for the same reason, be deeply interested in securing their adhesion. On the other hand, they received a good literary education, being sent apparently to the same schools as their brothers, and there made acquainted with, at least, the Latin poets.322 Thus they would possess the degree of culture necessary for readily receiving and transmitting new impressions. And we know, as a matter of fact, that many Roman ladies entered eagerly into the literary movement of the age, sharing the studies of their husbands, discoursing on questions of grammar, freely expressing their opinion on the relative merits of different poets, and even attempting authorship on their own account.323 Philosophy, as it was then taught, attracted a considerable share of their attention; and some great ladies were constantly attended by a Stoic professor, to whose lectures they listened seemingly with more patience210 than profit.324 One of their favourite studies was Plato��s Republic, according to Epict��tus, because it advocated a community of wives;325 or, as we may more charitably suggest, because it admitted women to an equality with men. But there is no evidence to prove that their inquisitiveness ever went to the length of questioning the foundations of religious faith; and we may fairly reckon their increasing influence among the forces which were tending to bring about an overwhelming religious revival among the educated classes.At this period, both the grand old styles of architecture, the Gothic for ecclesiastical buildings, and the Tudor and Elizabethan for palaces and mansions, had, for a time, run their course. A classical or Italian fashion had come in, and the picturesque churches and halls of our ancestors were deemed barbarous. Inigo Jones had introduced the semi-classical style, and now Sir Christopher Wren and Vanbrugh arose to render it predominant. Wren had the most extraordinary opportunity for distinguishing himself. The fire of London had swept away a capital, and to him was assigned the task of restoring it. Wren (b. 1632; d. 1723) was descended from a clerical family. In 1651 he was appointed to the chair of astronomy at Gresham College; three years afterwards to that of the Savilian professor at Oxford. In 1661 he was appointed by Charles II. to assist Sir John Denham, the surveyor-general, and in 1663 he was commissioned to examine the old cathedral of St. Paul, with a view to its restoration in keeping with the Corinthian colonnade which Inigo Jones had, with a strange blindness to unity, tagged on to a Gothic church. The old church was found to be so thoroughly dilapidated, that Wren recommended its entire removal and the erection of another. This created a terrible outcry amongst the clergy and citizens, who regarded the old fabric as a model of beauty.

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