ONE:The morning was almost sultry. As I halted in the clear ripples of a gravelly "branch" to let my horse drink, I heard no great way off the Harpers' train shrieking at cattle on the track, and looking up I noticed just behind me an unfrequented by-road carefully masked with brush, according to a new habit of the "citizens". The next moment my horse threw up his head to listen. Then I heard hoofs and voices, and presently there came trotting through the oak bushes and around the mask of brush two horsemen unusually well mounted, clad and armed. Their very dark gray uniforms were so trim and so nearly blue that my heart came into my throat; but then I noticed they carried neither carbines nor sabres, but repeaters only, a brace to each. They splashed lightly to either side of me, and the three horses drank together.
TWO:
FORE:"But the artists do not confine themselves to porcelain; they do a great deal of enamelling on metal, and some of their productions in this way are quite as interesting as their enamelling on porcelain. They did not invent the art, so it is said, but borrowed it from the Chinese, who had in their turn borrowed it from Persia or some other of the Central Asiatic countries. Some of the Japanese artists claim that the art was borrowed from their country, but the most of those who have studied the subject say that this claim is incorrect. But no matter who invented the process,[Pg 246] it is very beautiful and is of great antiquity; it is capable of a great many variations, and, although it has been in use for centuries, hardly a year passes without some improvements in it. In making the metal enamels the strips of brass are soldered to the surface and the cavities are filled up with the liquid coloring. The whole is then baked as in the porcelain process, and the surface of the work is carefully polished until all the lines are fully developed and the completed article shines like glass.ICHI-BOO. ICHI-BOO.
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