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Poinsinet, the author, was a man of very different calibre. That he had plenty of ability was proved by the fact that on the same evening he obtained three dramatic successes, i.e., Ernelinde at the Opera, Le Cercle at the Fran?ais, and Tom Jones at the Opra-Comique. But his absurd credulity made him the object of continual practical jokes, or mystifications as they were called.
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THREE:Well, you must be very glad, for Mme. Le Brun has just arrived. FORE:Il en avait trois grises

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THREE:Paris seemed to be awaking into life again; the streets were more animated, the people to be seen in them were more numerous and did not all look either brutal or terror-stricken. Art, literature, and social gaiety began to revive. FORE:Married or single, the five sisters were all strongly [189] attached to one another. The married ones were a great deal with their family, either at Paris or Versailles, while Pauline and Rosalie, between whom there was only a years difference, were inseparable.

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THREE:
  • THREE:Je ne suis quau printemps, je veux voir la moisson; [102]Indeed, he said, you have a strange fancy. Night is made to sleep in; however, if it amuses you I have no objection so long as you do not expect me to be of the party.

    by Daniel Nyari View on Dribbble

    FORE:A curious story is told, that at the time when Louis XIV. was building the palace of Versailles, his then all-powerful mistress, Mme. de la Vallire, said to him that he must, according to the custom, have the horoscope cast of the palace. He laughed at her superstition, but told her he would leave the matter to her. She accordingly consulted an astrologer, who said, After a hundred years the kings of France will leave Versailles.

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  • THREE:Go, said Louis XVI. in a tone of vexation, and tell the page of the grande curie to bring me back the letter I gave him. But Madame, turning to the Queen, I warn you that if he is gone it is all the better for M. de Machault. I cannot recall my confidence when he holds the proof in his hand. [118]Very near this convent lived the sister of her father, the Marquise de Sercey, and her family, with whom she spent much of her time.

    by Daniel Nyari View on Dribbble

    FORE:Never, she afterwards remarked, had she seen so many pretty women together as in the salon of Mme. de Thoum; but what surprised her was that most of them did needlework sitting round a large table all the evening. They would also knit in their boxes at the opera; but it was explained that this was for charity. In other respects she found society at Vienna very much the same as at Paris before the advent of the Revolution.

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  • THREE:

    by Daniel Nyari View on Dribbble

    FORE:By their affectionate and devoted love the rest of her life was made happy, even after the far greater loss in 1820 of the brother to whom she had always been deeply attached.

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THREE:One Sunday in October, 1796, Lisette went, after mass, to the palace to present the portrait she had just finished of the Grand Duchess Elizabeth.
THU 14 May, 2015
FORE:

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THREE:La citoyenne Fontenay to the citoyen Tallien, rue de la Perle, 17.

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It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of Jacobin, Cordeliers, and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert, galit, fraternit, sometimes with the significant addition, ou la mort.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.Having decided to stop at Turin and wait for further news, she took a little house in a vineyard near the town. M. de Rivire lodged with her, and gradually recovered amongst the peaceful surroundings. [116] Even the sight of the honest, quiet, peaceable peasants did them good. They walked among the vineyards, or in a neighbouring wood, where steep paths led to little churches and chapels, in which they attended mass on Sundays; and Lisette resumed her work, painting amongst other things a picture, Une baigneuse, which she sold at once to a Russian prince, and a portrait of his daughter as a present to Signor Porporati.
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