TWO:The Louvre, then filled with works of artthe [148] plunder of the rest of Europewas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, Liberty, Equality, and Fraternity, which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former daysin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.
TWO:It was impossible to spare much time to be absent from Paris, but Mme. Le Brun often spent two or three days at the magnificent chateaux to which she was invited, either to paint a portrait or simply as a guest.
TWO:Often in after years did they look back to the happy, sheltered childhood that passed too quickly away, and contrast its peace, security, and magnificence with the sorrows, dangers, and hardships of their later lives.The news spread through the prison and caused general grief. Some of the prisoners got out of the way because they could not bear to see them pass, but most stood in a double row through which they walked. Amidst the murmurs of respect and sorrow a voice cried out
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TWO:The long galleries of pictures and statues, the lovely churches filled with gems of art, the stately palaces and gardens, the cypress-crowned heights of San Miniato, and the whole life there, were enchanting to Lisette. She had been made a member of the Academy at Bologna; she was received with great honour at Florence, where she was asked to present her portrait to the city. She painted it in Rome, and it now hangs in the Sala of the great artists in the Uffizi. In the evening she drove along the banks of the Arnothe fashionable promenade, with the Marchesa Venturi, a Frenchwoman married to an Italian, whose acquaintance she had made. Had it not been for her anxiety about what was going on in France she would have been perfectly happy, for Italy had been the dream of her life, which was now being realised.Robespierre sent Coffinhal, one of his tools, to question her, and she was offered her liberty if she would denounce Tallien, which she indignantly refused to do. Far more than in her former experience at Bordeaux, did she feel that she was already condemned. For then she had only to dread the general cruelty of the Revolutionists, whose rage was certainly excited by the escape of their prey, but who had, beyond doubt, no personal spite against her.
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