ONE:And since that gray dawn when he had picked his way through the ashes and charred logs, and had bent over the bodies of his friend and the dead mother and the two children, he had been possessed by a loathing that was almost physical repulsion for all Indians. That was why he had left the stone cabin he had built for himself in the White Mountains, forsaking it and the Apaches who had been, in a way, his friends. But he had done it, too, with the feeling that now he had nowhere to lay his head; that he was driven from pillar to post, buffeted and chased; that he was cursed with the curse of the wanderer. If it had not been that he had an indefinite theory of his own concerning the Kirby massacre, as it was known throughout the country, and that he meant to, some day, in some way, avenge it upon the whites who had abandoned them to their fate, he would have killed himself. He had been very near it once, and had sat on the edge of his bunk in the cabin with a revolver in his hand, thinking it all out for an entire evening, before deciding dispassionately against it. He was not desperate, merely utterly careless of life, which is much worse. Desperation is at the most the keen agony of torture at the stake; but [Pg 163]indifference toward all that is held by this world, or the next, is dying in a gradual vacuum.
FORE:In the department of novel writing, no age had yet produced such a constellation as Fielding, Richardson, Sterne, and Smollett. Their works[147] are still read with admiration by all who have a relish for vivid and masterly delineations of life; their only drawback being, that they are all more or less stained with the grossness and licentiousness of the age. From these faults Samuel Richardson (b. 1689; d. 1761) is most free, and in his "Sir Charles Grandison" he hasshown himself ahead of his age in the wisdom and liberality of his ideas. He discountenanced duelling, and taught the soundest principles of honour and morality. The photographic minuteness of his style prevents the general reading of his works in the present day of abundant new literature. The principal novels of Henry Fielding (b. 1707; d. 1754), "Joseph Andrews," "Tom Jones," and "Amelia," abound in wit, vigour, and knowledge of human nature. He wrote also some plays, and edited several periodicals. His sister, Sarah, also wrote "David Simple," a novel, and translated Xenophon's "Memoirs of Socrates." Tobias Smollett (b. 1721; d. 1771) paints life in strong, bold, but somewhat coarse lines, full of vigour, but with even more grossness than Fielding uses. "Peregrine Pickle," "Count Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot Greaves," if not now generally read, have been carefully studied and made use of by some of our modern novelists. Smollett, besides, wrote plays, satires, poems, and edited "The Briton," a weekly newspaper. Laurence Sterne (b. 1713; d. 1768) struck out a style of writing peculiar to himself, and which still defies all successful imitation. Notwithstanding attempts to represent his pathos as grimace, and his humour as tinsel, the felicity of touch in "Tristram Shandy," and the flashes of wit and feeling in his "Sentimental Journey," will, in spite of detractors, and of the occasional indecency of the author, always send readers to Sterne.98
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- Justine Goliyad
- Justine Goliyad
- Justine Goliyad