FORE:
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THREE:Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.When a Sikh is beaten and surrenders he takes off his turban and lays it at the conqueror's feet, to convey that with the turban he also offers his head.
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THREE:[Pg 110]The actors were exclusively men and boys, those who took female parts wore rusty wigs over their own long, black hair; these were plaited on each side of the face, and waxed behind to fall over the shoulders. The costumes of velvet and satin, heavily embroidered with gold and silver, were hideous.
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FORE:Rising from the highest point of the hill the huge tomb of Aurungzeeb the Greatmore huge in the darknessstood out clearly, a black mass, its bulbous dome against the sky. Flocks of goats and sheep came clambering along the ridge to shelter for the night in the recesses of its walls. Then, one by one, the lights died out. Infinite calm brooded over the scene; a very subtle fragrance, as of rose and verbena, seemed to rise from the ground and scent the still air; and over the motionless earth swept enormous black bats in silent flight, with slow, regularly-beating wings.A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.
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FORE:Amid the cool rush of a myriad streams is a garden, the loveliest in the world; the broad paths are shaded by cedars, banyans, palms, and crotons with purple and orange leaves. Under the garlands of gorgeous flowered climbers are hedges of roses of every shade, and shrubs starred with lavender and blue. In the ditches, above the water-plants strewn with petals like hoar-frost, grows a carpet of pale lilac cineraria.
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THREE:When at last the boy was allowed to return to his place in a corner he sat quite still, his eyes staring stupidly and shedding large tears, though not a muscle of his face moved.In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weightsdumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake.
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THREE:A funeral came pushing past me in the silence of this sleeping district: the body, wrapped in red, hung from a bamboo that rested on the bearers' shoulders. No one followed him, and the group disappeared at once in the deep gloom of the narrow alley.Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play.
FORE:Another templecarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspectivea plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.
FORE:Deeply graven in the stone of one of the walls is the giant hand of Ali the Conqueror, the terrible, who came from the land of the Arabs, killing all on his way who refused to be converted to Islam. And he died in the desolate Khyber, where all who pass do him honour, and entreat his protection on their way.
TWO:Then two children, their pretty, fresh voices in unison, sang some womanly songs, languishing ballads, swinging to a very indefinite rhythm, and suggestive of slow dances and waving gauze scarves in flowery gardens under the moonlight.In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation. THREE:KANDY FORE:
FORE:In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.
FORE:And at this day the high road passes Secundra Bagh in ruins, and on the ground where Nana Sahib's soldiers fell, huge flowers are strewn of "flame of the forest" fading into hues of blood.At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.
FORE:Another templecarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspectivea plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.
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TWO:Then two children, their pretty, fresh voices in unison, sang some womanly songs, languishing ballads, swinging to a very indefinite rhythm, and suggestive of slow dances and waving gauze scarves in flowery gardens under the moonlight.In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation. THREE:KANDY FORE:
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Preformatted
i = 0;
while (!deck.isInOrder()) {
print 'Iteration ' + i;
deck.shuffle();
i++;
}
print 'It took ' + i + ' iterations to sort the deck.';Unordered
- Dolor pulvinar etiam magna etiam.
- Sagittis adipiscing lorem eleifend.
- Felis enim feugiat dolore viverra.
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- Dolor pulvinar etiam magna etiam.
- Sagittis adipiscing lorem eleifend.
- Felis enim feugiat dolore viverra.
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| Name | Description | Price |
|---|---|---|
| Item One | Ante turpis integer aliquet porttitor. | 29.99 |
| Item Two | Vis ac commodo adipiscing arcu aliquet. | 19.99 |
| Item Three | Morbi faucibus arcu accumsan lorem. | 29.99 |
| Item Four | Vitae integer tempus condimentum. | 19.99 |
| Item Five | Ante turpis integer aliquet porttitor. | 29.99 |
| 100.00 | ||
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|---|---|---|
| Item One | Ante turpis integer aliquet porttitor. | 29.99 |
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| Item Three | Morbi faucibus arcu accumsan lorem. | 29.99 |
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| Item Five | Ante turpis integer aliquet porttitor. | 29.99 |
| 100.00 | ||
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Fringilla nisl. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent.
Fringilla nisl. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent.