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It was Mme. Jouberthon, afterwards the wife of Lucien Buonaparte.

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DIRECTLY M. and Mme. de Montagu got to London they heard of the death of Paulines aunt, the Duchesse de Lesparre, another grief for her; but really at that time for any one to die peacefully among their own people was a subject of thankfulness to them all.Pauline, who firmly believed in the ultimate success of the royalist army, and whose heart and soul were with the gallant soldiers of Cond and the heroic peasants of La Vende, waited at Aix-la-Chapelle, studying English and German and corresponding with her mother and sisters under cover of an old servant.In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.
ONE:Mme. Le Brun describes her as affectionate, simple, and royally generous. Hearing that the French Ambassador to Venice, M. de Bombelle, was the only one who refused to sign the Constitution, thereby reducing himself and his family to poverty; she wrote to him that all sovereigns owed a debt of gratitude to faithful subjects, and gave him a pension of twelve thousand francs. Two of his sons became Austrian ministers at Turin and Berne, another was Grand-Master of the household of Marie Louise.

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TWO:I do not vote for his death; first, because he does not deserve it; secondly, because we have no right to judge him; thirdly, because I look upon his condemnation as the greatest political fault that could be committed. He ended his letter by saying that he knew quite well that he had signed his own death-warrant, and, beside himself [436] with horror and indignation, he actually went to the Abbaye and gave himself up as a prisoner. It was the act of a madman, for he might very likely have escaped, and his wife consoled herself with the idea that as there was nothing against him he would only suffer a short imprisonment.

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  • FORE:Que faisiez-vous au temps du tyran?

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  • FORE:Presentation at VersaillesLa RosireFather and sonMme. de MontessonA terrible sceneThe Comtesse de CustineMme. de Genlis enters the Palais Royal.It was with difficulty that she tore herself away when, in March, 1801, she wished to return to St. Petersburg, and it was upon her journey thither that she heard of the assassination of Paul I.

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  • FORE:Aime de Coigny was no saint or heroine, like the Noailles, La Rochejaquelein, and countless others, whose ardent faith and steadfast devotion raised them above the horrors of their surroundings, and carried them triumphantly through danger, [101] suffering, and death to the life beyond, upon which their hearts were fixed; nor yet a republican enthusiast roughly awakened from dreams of humanity, universal brotherhood, and liberty under the rule of The People, whose way of carrying out these principles was so surprising.

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  • FORE:

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  • FORE:As Saint-Aubin had long been sold, her brother now called himself M. Ducrest.

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  • FORE:[242]

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THREE:M. de Sillery, M. Ducrest, and the Duc de Chartres went with them to the frontier of Belgium; and they arrived safely at Tournay, where they were followed by Lord Edward Fitzgerald, who was eager to marry Pamela. And now, as before, he was the successful rival of Sheridan, whom [435] she threw over for his sake. They were married at Tournay and departed to England, where she was received with great kindness by his family.

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THREE:There was, of course, a great mixture of new and old, many quarrels and much ill-feeling: increased by the extreme animosity and pretensions on both sides.

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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.Qui va nous ramener en France

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ONE:
FORE:Through many little, narrow streets they at last got out into the country, and arrived at the filthy, ruinous cottage where lived the fortune-teller. They gave her each an cu, not wishing by too lavish a payment to betray themselves, and the [293] Comtesse dAdhmar was the first to place her hand in the dirty, wrinkled one of the old gipsy, who, after telling her that she had had two husbands, and would have no more, added, You are now in the service of a good mistress, who loves you; but before long she will send you away against her will, but she will no longer be free to do as she chooses.

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TWO:VENICE

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99 
TWO:
THREE:When at length she arrived in St. Petersburg she found the city in a frenzy of delight. They danced in the streets, embracing each other, and exclaiming THREE: THREE:
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The next day, just as she was starting for the Vatican Museum, the students of the Academy came to visit her, bringing her the palette of Drouais, a talented young painter whom she had known in Paris, and who had lately died. He had dined with her the evening before he started for Rome, and she was much touched at the recollection of him and at the request of the lads that she would give them some old brushes she had used.By their affectionate and devoted love the rest of her life was made happy, even after the far greater loss in 1820 of the brother to whom she had always been deeply attached.
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