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THREE:
FORE:In one of the alleys by the outer wall was a little house with a door in carved panels framing[Pg 243] inlaid work as delicate as woven damask. A crowd surrounding it could not be persuaded by Abibulla's eloquence to make way for me, a suspicious-looking stranger.

At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.

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FORE:"Yes, I know. How much?"

At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.

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THREE:
FORE:A large open niche, supported on massive columns and enclosed by a carved parapet, built by some king with a long, high-sounding name, looks as if it were made of gold; the stone is yellow and flooded with sunshine, which, where the hard material is not too thick, shines through and makes it seem transparent, with the peculiar vibrant glow of molten metal. The shadows, blue by contrast, are as soft as velvet; twinkling sparks are lighted up in the angles of the architrave, by the reflected rays, like stars in the stone itself.

cupiditate non provident

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15th May

FORE:THE SACRED HILLBeyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.

cupiditate non provident

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15th May

FORE:There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival.

cupiditate non provident

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15th May

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  • Et Quas Molestias Officia

  • Et Quas Molestias Officia

  • Et Quas Molestias Officia

  • Et Quas Molestias Officia

THREE:The natives here were an even finer race than those at Peshawur, and more uncultured, never bowing when we met them, but eyeing us as we passed as if they were meditating some foul blow.

"At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.

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THREE:In the streets, swarming with people, every woman who is not a pariah, walks veiled in all the mystery of her unrevealed features, her long, dreamy eyes alone visible.

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THREE:

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There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain."What a pity that the sahib does not like music!"Another magnificent temple, with marble arcades wrought to filigree, curved in frilled arches, on spindle-like columns that soar to support the cupolas, as light as flower-stems. A gem of whiteness and sheen in the desert of ruins where yet stand three matchless marvels: the tower of Khoutab, the gate of Alandin, and the column of Dhava.A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.
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