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I am afraid, Messieurs, that you are very badly off.

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As to the Comte de Beaujolais, he was fond of her, as all her pupils were, for she was extremely kind to them, but he hated and abhorred the principles which his father and she had succeeded in instilling into his brothers and sister, longed to fight for the King and Queen, and took the first opportunity when he met the Comte de Provence in exile to tell him so and make his submission; he had sent him messages of explanation and loyalty directly he could. For more than a year, then, there had been coldness and estrangement between the Duchess and Mme. de Genlis, who, of course, as usual, posed as an injured saint. What had she done? Why this cruel change in the affection and confidence of years? Had she not sacrificed herself to her pupils? Was she not the last person to alienate their affection from their illustrious and admirable mother? Did not all the virtues of her whole life forbid her being suspected or distrusted in any way?What does that prove? Do not all these brutes say tu nowadays?
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THREE:It is not I who am in haste; it is the guillotine, replied the stranger. To-day I am on the suspected list, to-morrow I shall no doubt be condemned. I have children. I wish to leave them a remembrance of me, that is why I come to ask you to paint my portrait. Will you?
THREE:Que feront nos riches abbs?
FORE:The Noailles, unlike most of the great French families, although they lived in Paris during the winter, spent a portion of their time on their estates, looked after their people, and occupied themselves with charities and devotion. The Marchal de Mouchy de Noailles, brother of the Duc dAyen, even worked with his own hands amongst his peasants, while his wife and daughter, Mme. de Duras, shared his views and the life he led, as did his sons, the Prince de Poix and the Vicomte de Noailles, of whom more will be said later. FORE:E. H. Bearne
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In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.It is therefore evident that at the time of which Mme. de Genlis is writing, the middle of May, the Duchess of Orlans was in prison. Also that the Marquis de Sillery, her husband, had not been detained in the Abbaye, as from his letter she had supposed, but was only under supervision till the 7th of April.
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