FORE:And now the Prussian artillery, eighteen heavy guns, opened a rapid and murderous fire upon the disordered mass, struggling in vain to deploy in line of battle. Infantry, artillery, cavalry,432 all were at work, straining every nerve, one mighty mind controlling and guiding the terrible mechanism in its death-dealing blows. The French regiments were jammed together. The Prussians, at forty paces, opened a platoon fire of musketry, five shots a minute. At the same moment the impetuous Seidlitz, with his triumphant and resistless dragoons, plunged upon the rear. The centre of the allied army was thus annihilated. It was no longer a battle, but a rout and a massacre. In twenty minutes this second astonishing feat was accomplished.
FORE:In 1747 Marshal Saxe visited Potsdam. He witnessed a review of the guards. In the account of this review given by Algarotti, he says, The squadron of guards, which at one time, drawn up close, exhibited the appearance of a rock, at another resembled a cloud scattered along the plain. In the charge on full gallop one horses head was not a foot beyond another. The line was so exactly straight that Euclid himself could not have found fault with it.Soon after this, Fredericks next younger brother, Augustus William, who was heir-presumptive to the throne in default of a son by Frederick, was betrothed to Louisa Amelia of Brunswick, younger sister of Fredericks bride.
FORE:WILHELMINA.
THREE: When the Duke of Lorraine comes I will have thee come. I think the bride will be here then. Adieu; God be with you.
THREE:CHAPTER X. THE ACCESSION OF FREDERICK THE SECOND.The evenings are devoted to music. The prince has a concert in his saloon, where no one enters who is not invited, and such invitation is regarded as an extraordinary favor. The prince has commonly performed a sonata and a concert for the flute, on which he plays in the greatest perfection. He fills the flute admirably well, has great agility with the fingers, and a vast fund of music. He composes himself sonatas. I have had the honor of standing behind him more than once while he was playing, and was charmed with his taste, especially in the adagio. He has a continual creation of new ideas.
