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Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to foot��sturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage �� la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them.

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The storm passed, with all the suddenness it had come on, and Felipa rose, and dressing herself quickly went out upon the porch. Three drenched kittens were mewing there piteously. She gathered them up in her hands and warmed them against her breast as she stood watching the earth and sky sob themselves to rest. All the petunias in the bed by the steps were full of rain, the crowfoot and madeira vines of the porch were stirring with the dripping water. Many great trees had had their branches snapped off and tossed several[Pg 307] yards away, and part of the windmill had been blown to the top of the stable, some distance off. She wondered if Cairness had been able to get the cut alfalfa covered. Then she took the kittens with her to the house and went into the kitchen, where the Chinese cook already had a fire in the stove. She ordered coffee and toast to be made at once, and leaving the kittens in the woodbox near the fire, went back to the sitting room.��That��s so,�� said Dick. ��Let��s go up to the house and see what Mr. Everdail says.��

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