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THREE:Here the Americans assert that when the minute-men did not retire on the first order, the English fired on them and killed eight of them. The English, on the other hand, declare that the Americans, in retiring, no sooner reached the shelter of a wall than they fired on the British; that the firing came also from some adjoining houses, and shot one man, and wounded Major Pitcairn's horse in two places; that then the English were ordered to fire, that they killed several, wounded others, and put the body, about a hundred in number, to flight. By this time the alarm had spread, the minute-men came running from all places, and as the English, having executed their commission, began to retire, the Americans shouted, "The lobsters run!" The minute-men now rushed over the bridge after them, and firing from behind trees and walls, killed a considerable number of them. The Americans��excellent shots with their rifles��could only be seen by the smoke of these rifles, and the English, tired with their long night march, instead of halting to hunt them out, kept on their way towards Lexington. The whole march was of this description: the English, unable to get a good shot at their enemies, the minute-men pressing on their rear, still sheltered by trees and walls. The result would have been more disastrous had not General Gage sent on to Lexington another detachment of foot and marines, consisting of about sixteen companies, under command of Lord Percy. In this first bloodshed between the colonists and the mother country, the British found they had lost sixty killed, forty-nine missing, and one hundred and thirty-six wounded.[218] The Americans admitted that they had a loss of sixty, of whom two-thirds were killed.Sir Charles Barry was the architect of numerous buildings, but his greatest work was the New Palace of Westminster. When the old Houses of Parliament were burned down in 1834, amongst the numerous designs sent in Mr. Barry's was selected, and he had the honour of constructing the magnificent temple of legislation in which the most powerful body in the world debates and deliberates, upon the old, classic site, rendered sacred by so many events in our history. It has been disputed whether the style of the building is altogether worthy of the locality and the object, and whether grander and more appropriate effects might not have been produced by the vast sums expended. But it has been remarked in defence of the artist, that the design was made almost at the commencement of the revival of our national architecture, and that, this fact being considered, the impression will be one of admiration for the genius of the architect that conceived such a work; and the conviction will remain that by it Sir Charles Barry did real service to the progress of English art.

FORE:COSTUMES OF THE PERIOD OF GEORGE II. FORE: