FORE:The year 1829 was distinguished by disturbances in Ireland, as well as distress in England. The 12th of July, the anniversary of the battle of the Boyne, was celebrated with unusual manifestations of defiance by the Orangemen. The country seemed armed for civil war. In the county Clare there was a conflict between the Protestants and Catholics, in which one man was killed, and seven or eight wounded on each side. In Armagh there was a fight, in which ten men lost their lives. In the county Fermanagh 800 Roman Catholics, armed with scythes and pitchforks, turned out and attacked the Protestants, killing four persons and wounding seven. The same party rose in Cavan, Monaghan, and Leitrim, threatening something like civil war. In Tipperary society was so convulsed that the magistrates met, and called upon the Government for a renewal of the Insurrection Act, and for the passing of a law rendering the possession of fire-arms a transportable offence.The example of Oxford, who made an attempt on the life of the Queen, was followed by another crazy youth, named Francis, excited by a similar morbid passion for notoriety. On the 29th of May, 1842, the Queen and Prince Albert were returning to Buckingham Palace down Constitution Hill in a barouche and four, when a man who had been leaning against the wall of the palace garden went up to the carriage, drew a pistol from his pocket, and fired at the Queen. Her Majesty was untouched, and seemed unaware of the danger. The assassin was observed by Prince Albert, and pointed out by him to one of the outriders, who dismounted to pursue him; but he had been at once arrested by other persons. The carriage, which was driving at a rapid pace, no sooner arrived at the palace, than a messenger was sent to the Duchess of Kent to announce the Queen's danger and her safety. The prisoner, John[491] Francis, the son of a machinist or stage carpenter at Covent Garden Theatre, having been twice examined by the Privy Council, was committed to Newgate for trial at the Central Criminal Court on a charge of shooting at the Queen with a loaded pistol. He was only twenty years of age. The trial of Francis took place on the 17th of June, before Chief Justice Tindal, Baron Gurney, and Justice Patteson. The principal witness was Colonel Arbuthnot, one of the equerries who was riding close to the Queen when the shot was fired, and cried out to a policeman, "Secure him!" which was done. Colonel Wylde, another equerry, with several other witnesses, corroborated the testimony of Colonel Arbuthnot; and it appeared that Francis had on the previous day pointed a pistol at the Queen, though he did not fire. For the defence it was alleged that the attempt was the result of distress, and that the prisoner had no design to injure the Queen. The jury retired, and in about half an hour returned into court with a verdict of "Guilty," finding that the pistol was loaded with some destructive substance, besides the wadding and powder. Chief Justice Tindal immediately pronounced sentence of death for high treason, that he should be hanged, beheaded, and divided into four quarters. The sentence was commuted to transportation for life.
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FORE:In the early part of the reign the English operas of Augustine Arne, "Artaxerxes" and "Love in a Village"the former principally a translation from Metastasiowere much admired. For the rest, there were numbers of lovers and professors of the art, both in sacred, operatic, and glee music. The Catch Club was formed in 1761, and zealously supported, as well as the Concerts of Ancient Music in 1776. Under the patronage of this society, and particularly of his Majesty, took place the celebrated Handel "Commemoration" in Westminster Abbey, in May and June of 1784. During the early part of the reign, too, appeared several distinguished works in this department. At the head of these stood the "Histories of Music," by Sir John Hawkins and Dr. Burney; Dibdin's "Musical Tour;" Dr. John Browne's "Dissertation on Poetry and Music;" the "Letters" of Jackson, of Exeter; and Mason's "Essays on Church Music." In the later portion of the reign there was much love of music, but little original composition, except for the stage, where Arnold, Shield, Storace, and Dibdin produced the most delightful compositions. Arnold's "Castle of Andalusia," "Inkle and Yarico," "The Surrender of Calais," and "The Mountaineers;" and Shield's "Rosina," "The Poor Soldier," "The Woodman," and "The Farmer," are universally admired. The sea songs of Charles Dibdin are as imperishable as the British navy, to which they have given a renown of its own. He wrote about one thousand four hundred songs, thirty dramatic pieces, "A Musical Tour," and a "History of the Stage," and was allowed, after all, to die in deep poverty, after charming the world for half a century. During the latter part of the reign music was in much esteem, and musical meetings in various parts of the countryin London, the opera, Ancient Concerts, and performances by foreign composers, such as Handel's "Messiah," Beethoven's "Mount of Olives," Mozart's opera of "Don Giovanni," etc.were flocked to, but little native genius appeared.
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FORE:Yet, in that blind and defiant spirit, which he continued to show till he had lost the colonies, George created Bernard a baronet on his reaching home, for having, in effect, brought Massachusetts to the verge of rebellion; and, to show his emphatic sense of these services, he himself paid all the expenses of the patent.The number of distinguished authors on miscellaneous subjects was very great at this time. In jurisprudence and political economy there were Jeremy Bentham, whose life ended in 1832; his eminent disciples, John Stuart Mill, Dr. Bowring, and Dr. Hill Burton; Archbishop Whately, Mr. M'Culloch, Mr. Sadler, and Mr. N. W. Senior. De Quincey began his brilliant career as an author in 1822, by the publication of "The Confessions of an English Opium-Eater."
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