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"Well, now," he prescribed, "complete rest for a few days, in a sitting posture. I'll give you something to quieten you down. Evidently you've had a shock."

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That was Gregg's dimly conceived theory about the mystery, although, of course, he read into the interpretation a good deal of his own speculations. His imagination seized upon the clock as the possible symbol of a new counterpoint in human affairs. In his mind he saw man growing through the ages, until at last, by the aid of this mechanism, he was able to roll back the skies and reveal the vast other worlds that lay beyond, the unthinkable mysteries that lurked between the stars, all that had been sealed up in the limited brain of man since creation. From that extreme postulate it would be necessary to work backward, until some reasonable hypothesis could be found to explain the working[Pg 111] of the clock mechanism. That difficulty, even, might be overcome if only an opportunity occurred to examine this strange being from the future, or if he could be prevailed upon to explain matters himself.
ONE:"Far upon the unknown deep, TWO:What awful impertinence!"Awfully convenient," Arthur murmured.
ONE:Arthur became aware of two other figures approaching the one he was watching so intently. They were Gregg, the captain of the team, and Doctor Allingham. The yellow braid on their blazers shone in the sunlight, and Arthur could see the blue emblem on Gregg's pocket. There would have to be a meeting. The two flanelled figures were strolling along in a direct line towards that other oddly insistent form. Arthur caught his breath. Somehow he dreaded that encounter. When he looked again there was some kind of confabulation going on. Curiously enough, it was Doctor Allingham and Gregg who seemed[Pg 23] incapable of movement now. They stood there, with their hands in their pockets, staring, listening. But the Clockwork man was apparently making the utmost use of his limited range of action. His arms were busy. Sometimes he kicked a leg up, as though to emphasise some tremendously important point. And now and again he jabbed a finger out-wards in the direction of the field of play. Arthur caught the sound of a high, squeaky voice borne upon the light breeze.

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THREE:

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THREE:"Precisely. And because you have seen[Pg 179] more than I have you are less able to understand the matter than I am. You cannot see the wood for the trees. Again, you were frightened out of your life. Your scientific instincts were stampeded. You saw only a hideous malformation, a neural freak, a preposterous human machine. It was inconceivable that you should have been able to think clearly under the circumstances. Consider the matter in the sober aftermath of reason, and you must agree with me that it is really not more extraordinary that a man should function by mechanical means than that he should function at all."

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THREE:A familiar friendship lighted every countenance but mine as this second pair turned and rode with us, the lieutenant in front on Sergeant Jim Longley's right, and the two privates with me between them behind. For some minutes the sergeant, in under-tone, made report to his young superior. Then in a small clearing he turned abruptly into a neighborhood road, and at his word my two companions pricked after him westward. I closed up beside the lieutenant; he praised the weather, and soon our talk was fluent though broken, as we moved sometimes at a trot and often faster. In stolen moments I scanned him with the jealousy of my youth. Five feet, ten; humph! I was five, nine and a thirty-second. In weight he looked to be just what I always had in mind in those prayers without words with which I mounted every pair of commissary scales I came to. The play of his form as our smooth-gaited horses sped through the flecking shades was worth watching for its stanch and supple grace. Alike below the saddle and above it he was as light as a leaf and as firm as a lance. I had long yearned to own a pair of shoulders not too square for beauty nor too sloping for strength, and lo, here they were, not mine, but his. No matter; the slender mustache he sported he was welcome to, I had shaved off nearly as good a one; wished now I hadn't. As once or twice he lifted his kpi to the warm breeze I took new despair from the soft locks of darkest chestnut that lay on his head in manly order, ready enough to curl but waiving the privilege.

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ONE:"Did Lieutenant Ferry fire?"Our young friends were too much absorbed with the novelty of their situation to allow the time to hang heavy on their hands. Everything was new and strange to them, but, of course, it was far otherwise with Doctor Bronson. They had many questions to ask, and he was never weary of answering, as he saw they were endeavoring to remember what they heard, and were not interrogating him from idle curiosity.

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THREE:JAPANESE ARTIST CHASING ON COPPER. JAPANESE ARTIST CHASING ON COPPER."Ah, how you gild my base metal!"

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THREE:Keeling felt, in spite of his business-like habits,{273} that this was unnecessary. True, this was a matter of business, and he should have verified the correctness of Lord Inverbrooms information. But instead he merely put it into his pocket.

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THREE: "The pillows they sleep on would never do for us. A Japanese pillow is a block of wood with a rest for the head, or rather for the neck, as the head doesn't touch it at all, except just below the ear. It is only a few inches long and high, and is perfectly hard, as the little piece of paper they put on it is intended for cleanliness, and not to make the pillow soft. You can't turn over on one of them, and as for doubling them up to throw at another boy, it is quite out of the question. I shall put in a picture of a Japanese woman lying down with her head on one of these curious things. The women have their hair done up so elaborately that they must sleep on something that does not disturb it, as they can't afford the time and trouble for fixing it every morning. You'll find a picture of their head-dress in the lot I send with this; but it is from a sketch by a foreigner, and not by a native.

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THREE:There sounded a clean slap of levelled carbines, yet from the prisoners came the continued song in its closing couplet:

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ONE:"Has he a taste for fiction?" I asked, with a depreciative smirk.

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FORE:"Land, ho!" from the lookout forward.

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FORE:Ah, I dare say hell find something he likes, said this dreadful old lady, observing with malicious{22} pleasure that Alices colour, as she would have phrased it, was mounting.

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FORE:I stared with surprise. Was this the trivial Harry talking? Fact is, the pair we were talking about had by some psychical magic rarified the atmosphere for all of us until half our notes were above our normal pitch.Certainly it is not Miss Julia Fyson, he exclaimed, in great dismay. For the moment his chronic fatuous complacency in the possession of his habitual adorers quite faded from his mind. They were intended to adore him tenderly, reverentially, fervently, but not to make proposals of marriage to him. He really did not care if he never put his arm round Julia Fysons waist again.

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FORE: HANDCART FOR A QUARTETTE. HANDCART FOR A QUARTETTE."Oh, well, everything is possible, if you look at it in that light," grudgingly admitted the other.

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"Yes," I replied, stepping away for some roses, "I--saw her--by chance--for a moment--she was in the wagon she's got here--last --eh,--Thursday--morn'--" I came back trimming the roses, and as she reached for them and our glances met, she laughed and replied, with a roguish droop of the head--CHAPTER TEN"Let me explain," urged the Clockwork man, who was gaining in verbal ease and intellectual elasticity every moment. "Supposing[Pg 90] I was to hit you hard. You would fall down. You would become supine. You would assume a horizontal position at right angles to your present perpendicularity." He gazed upwards at the tall figure of the constable. "But if you were to hit me, I should have an alternative. I could, for example, fall into the middle of next week."BALL-PLAYING IN JAPAN. BALL-PLAYING IN JAPAN.
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