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FORE:"It is a multiform world," replied the Clockwork man (he had managed to fold his arms now, and apart from a certain stiffness his attitude was fairly normal). "Now, your world has a certain definite shape. That is what puzzles me so. There is one of everything. One sky, and one floor. Everything is fixed and stable. At least, so it appears to[Pg 145] me. And then you have objects placed about in certain positions, trees, houses, lamp-postsand they never alter their positions. It reminds me of the scenery they used in the old theatres. Now, in my world everything is constantly moving, and there is not one of everything, but always there are a great many of each thing. The universe has no definite shape at all. The sky does not look, like yours does, simply a sort of inverted bowl. It is a shapeless void. But what strikes me so forcibly about your world is that everything appears to be leading somewhere, and you expect always to come to the end of things. But in my world everything goes on for ever."
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FORE:I stopped him. "Why, Gholson, you're burning up with fever."The figure stopped with startling suddenness, but offered no explanation.
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FORE:Fred thought he would propitiate the demons in a roundabout way, and so he gave a few pennies to some old beggars that were sitting near the gateway. The most of them were far from handsome, and none were beautiful; some were even so repulsive in features as to draw from Frank the suggestion that they were relatives of the statues, and therefore entitled to charity.The figure was hollow, and there was a sort of chapel inside where devout pilgrims were permitted to worship. On the platform in front there were several shrines, and the general surroundings of the place were well calculated to remind one of a sanctuary of Roman Catholicism. Thousands and thousands of pilgrims have come from all parts of Japan to worship at the feet of the great Buddha; and while our friends stood in front of the shrine, a group of devotees arrived and reverently said their prayers.
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