THREE:It was at this era of religious apathy that John Wesley (b. 1703; d. 1791), and Charles, his brother (b. 1708; d. 1788), and George Whitefield (b. 1714), came forward to preach a revival, and laid the foundation of Methodism. These young men, students at Oxford, all of them originally of clerical families but Whitefieldwho was the son of an innkeeperwith Hervey, afterwards the author of the well-known "Meditations amongst the Tombs," and some others of their fellow-collegians, struck by the dearth of religious life of the time, met in their rooms for prayer and spiritual improvement. They were soon assailed with the nicknames of "Sacramentarians," "Bible Moths," and finally, "Methodists," a term current against the Puritans in those days, and suggested by the appellative Methodist?, given to a college of physicians in ancient Rome, in consequence of the strict regimen which they prescribed to their patients.In the department of the Drama the fertility[180] was immense. Tragedy, comedy, and farce maintained a swelling stream during the whole reign. In the earlier portion of it the chief writers of this class were Goldsmith, Garrick, Foote, Macklin, Murphy, Cumberland, Colman the elder, Mrs. Cowley, and Sheridan. Several of these dramatistsas Garrick, Macklin, and Footewere, at the same time, actors. The most eminent of them as writers were Goldsmith, Sheridan, and Colman. Horace Walpole wrote the "Mysterious Mother," a tragedy, which, however, was never acted; Goldsmith his two comedies, "The Good-Natured Man" and "She Stoops to Conquer," which were extremely popular; Garrick, the farces of "The Lying Valet" and "Miss in her Teens." He was said also to have been a partner with Colman in writing "The Clandestine Marriage;" but Colman denied this, saying that Garrick wrote the first two acts, and brought them to him, desiring him to put them together, and that he did put them together, for he put them together into the fire, and re-wrote the whole. Another farce, "High Life below Stairs," attributed to Garrick, was, it seems, written by the Rev. James Townley, assisted by Dr. Hoadly, the author of "The Suspicious Husband." Garrick was the great actor of his time, but, as a dramatic writer, his merit is insignificant. Foote was the chief writer of the comic before Colman. His productions amount to upwards of twenty, the most of them farces; and amongst them are "The Minor," "The Liar," and "The Mayor of Garrat." Foote was the wit and punster of the age. His satiric keenness was the terror of his time, and he dared to think of trying it even on the great essayist, Dr. Johnson, by introducing him upon the stage; but Johnson sent him word that he would be in one of the stage-boxes with a good, knotty cudgel, and Foote thought it best to let him alone.
ONE:In history, as in fiction, a new school of writers arose during this period, at the head of which stood Hume, Robertson, and Gibbon. David Hume (b. 1711; d. 1776) had already acquired a great reputation by his "Philosophical Essays concerning the Human Understanding," his "Inquiry into the Principles of Morals," and his "Natural History of Religion." In these metaphysical works he had indulged his extreme sceptical tendency, and in the "Essay on Miracles" believed that he had exploded the Christian religion. His works on this subject did not, at first, gain much attention; but in a while were seized on by the deistical and atheistical philosophers in Britain and on the Continent, and have furnished them with their principal weapons. The first two volumes of history met for a time with the same cold reception as his metaphysics. He commenced with that favourite period with historiansthe reigns of James I. and Charles I.because then began the great struggle for the destruction of the Constitution, followed by the still more interesting epoch of its battle for and triumph over its enemies. Hume had all the Tory prejudices of the Scottish Jacobite, and the reigns of James I. and Charles I. were extremely to his taste, but as little to that of the English public. Hence the dead silence with which it was received. But when there had been time to read the second volume, containing the Commonwealth and the reigns of Charles II. and James II., the storm broke out. In these he had run counter to all the received political ideas of the age. But this excitement raised both volumes into notice, and he then went back, and, in[176] 1759, published two more volumes, containing the reigns of the Tudors; and, going back again, in 1762 he completed his history by bringing it down from the invasion of Julius C?sar to the accession of Henry VII. It was afterwards, as has been mentioned, continued by Smollett.The number of Railway Acts passed during the first half of the century was more than 1,000; and the sums which Parliament authorised the various companies to expend in the construction of railways from 1826 to 1849 amounted to the enormous total of 348,012,188, the yearly average being 14,500,508. The Liverpool and Manchester Company was the first that contemplated the conveyance of passengers, which, however, was regarded as a sort of subsidiary traffic, that might produce some 20,000 a year, the main reliance being on the conveyance of raw cotton, manufactured goods, coals, and cattle. It need not be remarked how widely the result differed from their anticipation. The receipts from passengers in 1840 amounted to 343,910, and it was estimated that the saving to the public on that line[421] alone was nearly a quarter of a million annually. But as yet the system was in its infancy, though the broad gauge had been introduced by Brunel in 1833.
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