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TWO:"Give me gold for these," she cried. "Gold, red gold, two hundred sovereigns. Now, we will see whether fortune is still going to spite me."In England, the most generally accepted method seems to be that followed by Grote. This consists in taking the Platonic Apologia as a sufficiently faithful report of the defence actually made by Socrates on his trial, and piecing it on to the details supplied by Xenophon, or at least to as many of them as can be made to fit, without too obvious an accommodation of their meaning. If, however, we ask on what grounds a greater historical credibility is attributed to the Apologia than to the Republic or the Phaedo, none can be offered except the seemingly transparent truthfulness of the narrative itself, an argument which will not weigh much with those who remember how brilliant was Plato��s talent for fiction, and how unscrupulously it could be employed for purposes of edification. The Phaedo puts an autobiographical statement into the mouth of Socrates which we only know to be imaginary because it involves the acceptance of a theory unknown to the real Socrates. Why, then, may not Plato have thought proper to introduce equally fictitious details into the speech delivered by his master before the dicastery, if, indeed, the speech, as we have it, be not a fancy composition from beginning to end?

TWO:Before the ideas which we have passed in review could go forth on their world-conquering mission, it was necessary, not only that Socrates should die, but that his philosophy should die also, by being absorbed into the more splendid generalisations of Plato��s system. That system has, for some time past, been made an object of close study in our most famous seats of learning, and a certain acquaintance with it has almost become part of a liberal education in England. No170 better source of inspiration, combined with discipline, could be found; but we shall understand and appreciate Plato still better by first extricating the nucleus round which his speculations have gathered in successive deposits, and this we can only do with the help of Xenophon, whose little work also well deserves attention for the sake of its own chaste and candid beauty. The relation in which it stands to the Platonic writings may be symbolised by an example familiar to the experience of every traveller. As sometimes, in visiting a Gothic cathedral, we are led through the wonders of the more modern edifice��under soaring arches, over tesselated pavements, and between long rows of clustered columns, past frescoed walls, storied windows, carven pulpits, and sepulchral monuments, with their endless wealth of mythologic imagery��down into the oldest portion of any, the bare stern crypt, severe with the simplicity of early art, resting on pillars taken from an ancient temple, and enclosing the tomb of some martyred saint, to whose glorified spirit an office of perpetual intercession before the mercy-seat is assigned, and in whose honour all that external magnificence has been piled up; so also we pass through the manifold and marvellous constructions of Plato��s imagination to that austere memorial where Xenophon has enshrined with pious care, under the great primary divisions of old Hellenic virtue, an authentic reliquary of one standing foremost among those who, having worked out their own deliverance from the powers of error and evil, would not be saved alone, but published the secret of redemption though death were the penalty of its disclosure; and who, by their transmitted influence, even more than by their eternal example, are still contributing to the progressive development of all that is most rational, most consistent, most social, and therefore most truly human in ourselves.CHAPTER XVIII. MACHINE COMBINATION.

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