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The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.
THREE:Sil aime les honntes femmes,In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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THREE:Mme. Le Brun, alluding to this circumstance, [78] remarks that in all probability the very heroism and calmness of the victims helped to prolong this horrible state of things.

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THREE:She now painted the whole day except when on Sundays she received in her studio the numbers of people, from the Imperial family downwards, who came to see her portraits; to which she had added a new and great attraction, for she had caused to be sent from Paris her great picture of Marie Antoinette in a blue velvet dress, which excited the deepest interest. The Prince de Cond, when he came to see it, could not speak, but looked at it and burst into tears.CHAPTER II

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FORE:Among the new friends she found most interesting was Angelica Kaufmann, who lived in Rome, and whose acquaintance she had long desired to make. That distinguished artist was then about fifty years old; her health had suffered from the troubles caused by her unfortunate marriage with an adventurer who had ruined her earlier years. She was now the wife of an architect, whom Lisette pronounced to be like her homme daffaires. Sympathetic, gentle, and highly cultivated, Lisette found her conversation extremely interesting, although the calmness and absence of enthusiasm in her character contrasted strongly with her own ardent, imaginative nature. She showed her several both of her finished pictures and sketches, of which Lisette preferred the latter, the colour being richer and more forcible.

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FORE:When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.

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FORE:The life at Belle Chasse was, as she says, delicious. She had supreme authority, she was dispensed from the trouble of paying visits to any one but [403] Mme. de Puisieux; she had her mother and children to live with her; her husband and brother had posts in the household of the Duc de Chartres.Their carriage never came, so Mme. de Genlis had to take them home in hers, which appeared about two oclock, and it was half-past three when she arrived at the h?tel de Puisieux, where everybody was up and in a fever of anxiety, thinking she was killed, for they knew what she did not, that hundreds, perhaps thousands, of persons had perished.

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THREE:Madame Buonaparte came to see her, recalled the balls at which they had met before the Revolution, and asked her to come some day to breakfast with the First Consul. But Mme. Le Brun did not like the family or surroundings of the Buonaparte, differing so entirely as they did from the society in which she had always lived, and did not receive with much enthusiasm this invitation which was never repeated.

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THREE:Mme. de Tourzel asserts that La Fayette helped to irritate the mob against him, and that he was afraid of de Favras intrigues against himself, as he was accused of plotting to murder Necker, Bailly, and La Fayette.Sister of Charity, is that it? No, no; you must take a more active part; you must stand in the tribune, and kindle the sacred fire in those who are not already burning with the religion of the Revolution. Already I can feel the fire of your words. And he drew nearer to her.
THREE:

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[287]I suppose he who writes so eloquently in LAmi des Citoyens is also the friend of the citoyennes? If you are my friend, for the sake of the citoyenne, Lameth, [98] do not make me appear before that odious tribunal, on which you do not sit.From the horrors of the Revolution she had fled in time; with the Empire and its worshippers she had never had any sympathy; the episode of the Hundred Days was a new calamity, but when it was past and the King again restored her joy was complete.A cry of horror escaped the two friends and Mlle. Robert began to threaten the gipsy.You arrest me as a criminal? and for what? while a burst of laughter was heard inside.
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