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One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.[13]このページの先頭です
ONE:[445]The King would not even try to defend himself or those belonging to him. Narbonne Fritzlard begged him to let him have troops and guns with which he would soon scatter the brigands, who could only pass by Meudon and the bridges of Svres and St. Cloud. Then, from the heights I will cannonade them and pursue them with cavalry, not one shall reach Paris again, said the gallant soldier, who even then would have saved the miserable King in spite of himself. [79]
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TWO:The lad understood, blushed crimson, and retired, profoundly grateful for being let off so easily. Neither was the lesson lost upon him; after this he played no more.She brought, of course, many letters of introduction, of which the first she availed herself was to the Countess von Thoum, at whose soires she met all the most important personages in Vienna, and also many French emigrs amongst whom, to her great joy, was her old friend the Comte de Vaudreuil.
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THREE:During her exile in England, she was in the habit of visiting and helping the French who were poor or sick, and one day being in a hospital, and seeing a French soldier evidently very ill, she spoke to him with compassion and offered him money, which he refused, with a strange exclamation, apparently of horror.[114]
THREE:The death of her husband in 1834 was her last great sorrow, she survived him five years, and died in January, 1839, at the age of seventy-three, surrounded by those she loved best, who were still left her.
THREE:Au mme prix qui ne?t t po?te?
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Wonderful to say, he was acquitted.From the care of the Dauphin and Dauphine, who had exercised the most affectionate supervision over them, their children passed to that of their grandfather, who, though he was fond of his daughters, cared very little about his grandchildren, never inquiring about their studies, conduct or habits. He only saw them at the hours required by etiquette, when he embraced them with ceremony; but he took care that they were treated with all the homage due to the Children of France, and gave orders that their wishes were always to be gratified.Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.
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