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The writer of these fascinating memoirs of the time proceeds, after speaking of various noble names and regretting many that were extinct, such as Lusignan, Coucy, Xaintrailles, Chatillon, Montgommery, &c., to say, ��One thing that has always given me the best opinion of the Noailles, is the protection they have never ceased to grant to all gentlemen who can prove that they have the honour [174] to belong to them, no matter what their position nor how distant the relationship.�� He (or she) [67] goes on to relate that a family of much less consideration, the Montmorin, being envious of the Noailles, asserted that they were not of the ancient noblesse, and pretended that they possessed a piece of tapestry on which a Noailles was depicted serving a Montmorin as a ma?tre d��h?tel, with the date 1593.

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ONE: TWO:At Brussels she found her nephew, C��sar Ducrest, and, after nine years�� separation, was reunited to her daughter, who accompanied her to Paris.

ONE: TWO:��One autumn night, after ten o��clock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenth��se, had had the golden ball of her prioress��s staff engraved with the motto of her family, ��Tous-teints-de-sang�� (��All stained with blood��), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, ��My dear daughter, a war-cry is always improper for a bride of Jesus Christ....��

ONE:She had written to ask a refuge of her uncle, the Duke of Modena, who sent her some money, but said political reasons prevented his receiving her in his duchy. The poor child, naturally merry and high-spirited, had grown quiet and sad, though she bore without complaining the hardships of her lot. TWO:MARIE ANTOINETTE, QUEEN OF FRANCE

FORE:T��r��zia questioned her friend about him, and was told that he was a good secretary, clever but idle, and of so bad a reputation that M. de Lameth was waiting for an opportunity to get rid of him.

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FORE:Yet the generosity and kindness of her heart, and the number of victims she saved, outweighed, though without effacing, the disorders of her earlier life, [1] during the latter part of which, as the wife of a Catholic, royalist prince, whose love she returned and to whose opinions she was converted, she deeply regretted the errors of Notre Dame de Thermidor.

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FORE:��I heard you were intending to emigrate with the ci-devant Marquis de Fontenay.��

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ONE:He spoke half jokingly, but Cazotte saw no joke at all, but went into a corner without speaking, turned his face to the wall, and remained there in silence for a quarter of an hour, after which he came back with a joyful look.CHAPTER X

TWO:[39]

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FORE:VOLUMES of denunciation, torrents of execration have been and are still poured forth against the Bastille, the tyranny and cruelty it represented, the vast number and terrible fate of the prisoners confined there and the arbitrary, irresponsible power of which it was the instrument.��Madame, si c��est possible c��est fait; si c��est impossible, cela ce fera.�� [30]

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FORE:Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.To her joy she met her old friend Doyen, the painter. He had emigrated two years after her, and arrived at St. Petersburg with no money. The Empress came to his assistance and offered him the directorship of the Academy of Arts. He settled in the Russian capital, where he got plenty of employment, painting both pictures and ceilings for the Empress, who liked him, and for the Russian nobles. The Empress gave him a place near her own box at the theatre, and used often to talk to him.

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FORE:Ram��ne presque de la joie.��

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ONE:Capital letter IThe Laboull�� moved to Paris, and opened a shop at 83, rue de la Roi, afterwards rue Richelieu, which soon became the centre of Royalist plots.

THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:The King would not even try to defend himself or those belonging to him. Narbonne Fritzlard begged him to let him have troops and guns with which he would soon scatter the brigands, who could only pass by Meudon and the bridges of S��vres and St. Cloud. ��Then, from the heights I will cannonade them and pursue them with cavalry, not one shall reach Paris again,�� said the gallant soldier, who even then would have saved the miserable King in spite of himself. [79]I have endeavoured to be accurate in all the dates and incidents, and have derived my information from many sources, including the ��M��moires de Louis XVIII., recueillis par le Duc de D��,�� M��moires de la Comtesse d��Adh��mar, de Mme. Campan, MM. de Besenval, de S��gur, &c., also the works of the Duchesse d��Abrant��s, Comtesse de Bassanville, Mme. de Cr��quy, Mme. de Genlis, Mme. Le Brun, MM. Ars��ne Houssaye, de Lamartine, Turquan, Dauban, Bouquet, and various others, besides two stories never yet published, one of which was given me by a member of the family to which it happened; the other was told me in the presence of the old man who was the hero of it. Reach Us Below:

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Never, she afterwards remarked, had she seen so many pretty women together as in the salon of Mme. de Thoum; but what surprised her was that most of them did needlework sitting round a large table all the evening. They would also knit in their boxes at the opera; but it was explained that this was for charity. In other respects she found society at Vienna very much the same as at Paris before the advent of the Revolution.��Monsieur le Comte, I promised Madame, your mother, to take you under my guardianship during [59] her absence. Our play is too high for a young man; you will play no more pharaon at Court.��The life of luxurious splendour and open scandal Tallien led with his mistress irritated him nearly as much as the escape of the victims so frequently spared by his mercy, or rather by the all-powerful influence of the woman to whom all Bordeaux now looked for help and protection; besides which the popularity they both enjoyed at Bordeaux excited his jealous uneasiness.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.Tallien had saved her life twice, and she had given him her youth and beauty and fortune; she probably thought they were quits. Her connection with him had lasted five years, and now her passion both for him and for the Revolution had burnt [343] itself out, she was in all the splendour of her beauty and not more than five-and-twenty years old. Most of her life lay before her.

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