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Round a temple, with iron roofs ending in copper balls at the top, a crowd was watching, some seated on steps cut in the soil and some squatting on the hillside, here almost perpendicular. By the temple long white streamers, fluttering from bamboo poles, were covered with painted prayers. A Lama was enthroned in an armchair under an arbour of pine-branches; he wore a yellow robe, and above a face like a cat's he had a sort of brass hat surmounted by a coral knob; his little beard was quite white, and he turned his praying machine with a steady, dull movement, perfectly stolid. Two women stood by his side fanning him, dressed in close-fitting aprons of dark cloth bordered with a brighter shade, and opening over pale pink satin petticoats, on their heads crowns of flowers of every hue.

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In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.このページの先頭です
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ONE:At a stopping-place a flock of sheep huddled together in terror, hens scuttered about clucking anxiously, the stable dogs crouched and slunk; high overhead a large eagle was slowly wheeling in the air.The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.
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TWO:As we went back we found the roses carried in the morning by the Persian strewn on the ground in front of the Ali Musjid, and over them a flock of birds with red beaks were fluttering.

当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。

社名 日本化学機械製造株式会社
（英文名称 Japan Chemical Engineering & Machinery Co., Ltd.）
代表者 取締役会長　高橋 正一
取締役社長　髙橋 一雅
所在地

〈本社?工場〉

〒532-0031　
大阪市淀川区加島4丁目6番23号

営業部
TEL.06-6308-3885FAX.06-6306-2627
技術部?設計部?工事部
TEL.06-6308-3891FAX.06-6306-0136
総務部
TEL.06-6308-3881 (代表)FAX.06-6306-2384
調達部
TEL.06-6308-3910FAX.06-6306-2384
海外事業部
TEL.06-6308-3887FAX.06-6306-2384
低温機器事業部
TEL.06-6308-3889FAX.06-6308-3890
製造部
TEL.06-6308-3894FAX.06-6308-3767
品質保証室
TEL.06-6308-3880FAX.06-6308-3896
開発技術室
TEL.06-6308-3895FAX.06-6838-3092
〈東京支店〉

〒104-0031　
東京都中央区京橋1丁目6番12号(京橋イーサスビル5階)

TEL.03-3567-8101FAX.03-3567-8104

〈滋賀工場〉

〒520-3213　
滋賀県湖南市大池町7番地1

TEL.0748-75-2131FAX.0748-75-2134

〈南山田工場〉

〒520-3252　
滋賀県湖南市岩根字南山田1662番5

TEL.0748-72-3007FAX.0748-72-3008
設立 昭和13年10月31日
資本金 2億7千5百万円
事業内容 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売
当社の特色
■ 小回りのきく化学工場のプラント?エンジニアリングメーカー
化学装置の設計?機器の調達?製作?建設工事、試運転迄一貫して責任施工
■ 各種耐食材料の加工
ステンレス?銅?チタニウム?ニッケル?モネル?ハステロイなど
■ 高圧機器の製作
汽罐ならびに特殊汽罐認可工場（圧力10MPa迄）ボイラーならびに第一種圧力容器認可工場（圧力10MPa迄）
高圧ガス保安法（特定設備検査規則）に基づく各種圧力容器
■ 高真空?超低温機器の製作
1.3×10-3Pa、－268℃機器
■ 製缶加工?検査設備完備
製缶加工に必要な諸機械?自動溶接機をはじめ検査諸設備を完備しており、全作業を一貫して能率的に加工可能
従業員数 160人（2019年4月現在）
年間売上高 6,119百万円（2019年4月決算）
取引銀行 りそな銀行堂島支店 　三井住友銀行十三支店 　池田泉州銀行庄内支店　
関西みらい銀行十三支店 　滋賀銀行新大阪支店 　三菱UFJ銀行梅田中央支店
許可登録 特定建設業許可　国土交通大臣許可（特27）第5208号
一級建築士事務所　大阪府知事登録(ロ)第24084号
その他の認可?承認?認定の詳細はこちら
取得
マネジメント
システム
〈品質マネジメントシステム〉
認証規格
ISO 9001：2015　/　JIS　Q9001:2015
登録番号
99QR?154
〈環境マネジメントシステム〉
認証規格
エコアクション21：2017
登録番号
0002822
TWO:Not far from the great hospital, in huts of bamboo and matting, some Hindoos were isolated, who refused to be attended by any but native doctors, or to take anything but simples. An old man lay there who had a sort of stiff white paste applied to the swellings under his arms. He, too, was delirious, and watched us go by with a vague, stupefied glareeyes that were already dead.

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When the express had arrived that morning from Bombay, eight bodies were found of victims to the plague who had died on the way. They were laid on the platform and covered with a white sheet; and in the station there was a perfect panic, a surge of terror which spread to the town, and broke up the market. The shops were all shut, and the people rushed to their knees before the idols in the temples.All round Domel there were fields of lilac lilies among the silky young grass, and the cliffs were[Pg 271] hung with a yellow eglantine exhaling a penetrating scent of almonds.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.From the parapet of one of the bastions the Ganges may be seen in the distance, of a sickly turquoise-blue, shrouded in the haze of dust which hangs over everything and cuts off the horizon almost close in front of us, and the tributary Jumna, translucent and green. At the confluence of the rivers stands a native village of straw and bamboo huts, swept away every season by the rains. This is Triveni, containing 50,000 souls, which enjoys a great reputation for sanctity, and attracts almost as many pilgrims from every part of India as does Benares. The people come to wash away their sins in the Saravasti, the mystical river that comes down from heaven and mingles its waters at this spot with those of the sacred Ganges and the Jumna. The faithful who bathe at Triveni observe an additional ceremony and cut their hair; each hair, as it floats down stream in the sacred waters, effaces a sin, and obtains its forgiveness. In front of the barracks, a relic of past magnificence, there stands alone on a porphyry pedestal, in the middle of a broad plot[Pg 184] trampled by soldiers on parade, an Asoka column carved with inscriptions to the top, and decorated half-way up with a sort of capital.
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