THREE:It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of Jacobin, Cordeliers, and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert, galit, fraternit, sometimes with the significant addition, ou la mort.
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THREE:And do you imagine, cried Mme. Le Brun, that it is David who has given the taste for the antique? It is not: it is I! It was my Greek supper, which they turned into a Roman orgy, which set the fashion. Fashion is a woman. It is always a woman who imposes the fashion, as the Comtesse Du Barry said.
THREE:Potemkin cannot be judged as a commonplace favourite, exalted or destroyed by a caprice; he represented the ambition of Russia in the eighteenth century; after his death Catherine could never replace that splendid and supple intelligence. [47]CHAPTER V
THREE:She was received with the hospitality and distinction she always experienced, met many old acquaintances, and passed several months very pleasantly.