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So she took rooms in the Piazza di Spagna, which is, of course, one of the most convenient and animated situations in Rome; but the noise, which never seems to inconvenience Italians, was insupportable to her. Carriages and carts, groups of people singing choruses, lovely in themselves, but distracting when they went on all night, made sleep impossible, and drove her to another dwelling, a small house in a quiet street which took her fancy. The whole house was so charming that, with her usual carelessness about money, she hastened to pay [94] the ten or twelve louis for the months rent, and took possession. She went to bed rejoicing in the silence, only broken by the splash of a fountain in the little courtyard; but in the middle of the night a horrible noise began which woke them all up and prevented any more sleep till the morning, when the landlady explained that there was a pump fastened to the wall outside, which was constantly being used by the washerwomen, who, as it was too hot to work in the day, began the washing at two oclock in the morning. Accordingly Mme. Le Brun removed into a small palace, which she found damp and cold, as it had been uninhabited for nine years; it was also infested by armies of rats. She stayed there six weeks and then moved, this time on condition of sleeping one night in the house before paying the rent; but the beams of the ceilings were full of little worms, which gnawed all night long and made such a noise that she declared she could not sleep, and left the next day.But her greatest love was for her father; it was almost adoration. Louis Vige was exactly opposite in disposition to his wife, to whom he was, however, devoted. Kindly, affectionate, light-hearted, and thoughtless, his love for her did not interfere with his admiration for other women; a pretty grisette was quite able to turn his head, and on New Years day he would amuse himself by walking about Paris, saluting the prettiest young girls he met, on pretence of wishing them a happy new year.

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ONE:You will see, said Rivarol, that these haughty Romans whom M. Louis David has brought into fashion with his cold, hard painting, will bring us [285] through a period of Cato and Brutus. It is the law of contrast. After the solemn airs of Louis XIV., the orgies of Louis XV.; after the suppers of Sardanapalus-Pompadour, the milk and water breakfasts of TitusLouis XVI. The French nation had too much esprit, they are now going to saturate themselves with stupidity.The next day, just as she was starting for the Vatican Museum, the students of the Academy came to visit her, bringing her the palette of Drouais, a talented young painter whom she had known in Paris, and who had lately died. He had dined with her the evening before he started for Rome, and she was much touched at the recollection of him and at the request of the lads that she would give them some old brushes she had used.

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THREE:While Louise and Adrienne were still children projects of marriage for them were, of course, discussed, and they were only about thirteen and fourteen when two sons-in-law were approved of and accepted by their parents, with the condition that the proposed arrangements should not be communicated to the young girls for a year, during which they would be allowed often to meet and become well acquainted with their future husbands.One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.
THREE:The Count and Countess de Genlis accompanied the Duke and Duchess de Chartres to Bordeaux, where he embarked, after a naval review; and the Duchess proceeded on a tour in Italy. To Flicit this was a time of enchantment. The journeys at that time were adventurous, and the Cornice road was then an affair of difficulty if not danger. They went by sea to Nice, spent a week in that delicious climate, and determined to make what she called the perilous journey from Nice to Genoa. They [400] went on mules over the pass by Turbia, and found the Cornice as she says truly a cornicheso narrow that in some places they could hardly pass singly, and often they had to get down and walk. They slept at Ospedaletto, the Duchess, Flicit, and the Countess de Rully in one room; the Duchess on a bed made of the rugs of the mules, the others, on cloaks spread upon a great heap of corn. After six days of perils and fatigues, and what they called horrible precipices, they got to Genoa.

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THREE:[93]

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THREE:Well, then, that is all the more reason why you should not refuse what I offer you.

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THREE:[420]
FORE:With the same religious and political principles, the conditions of life which surrounded the Marquise de Montagu were totally different. A contrast indeed to the simple, artistic household, the early grief, poverty, and hard work, the odious step-father, the foolish mother, the worthless husband and daughter, the thousand difficulties and disadvantages which beset Mme. Le Brun, were the state and luxury, the sheltered life, the watchful care, and powerful protection bestowed upon the daughter of the house of Noailles; her mother, the saintly, [ix] heroic Duchesse dAyen, her husband the gallant, devoted Marquis de Montagu.

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FORE:The Queen died three years later. Her death did not make much difference to the court, but devotion to religion in the royal family now seemed to be concentrated in the households of Mesdames.

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FORE:

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THREE:I knew it, replied Fronsac, and passed on.
FORE:Mme. de Tess died in 1813, only a week after the death of her husband, without whom she said that she did not think she could live.

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FORE:Paris seemed to be awaking into life again; the streets were more animated, the people to be seen in them were more numerous and did not all look either brutal or terror-stricken. Art, literature, and social gaiety began to revive.

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Mme. Le Brun was asked by several persons of importance to repeat this supper, but always declined.But although fully enjoying the amusement and admiration that fell to her lot, she passed unscathed through the temptations and dangers around her. The strength and devotion of her religious principles, the deep love of her art, which was the ruling passion of her life, her affection for her mother, who was always with her, and to whom she confided all her affairs, were her only safeguards.Philippe-galit was now Duc dOrlans, and his eldest son Duc de Chartres. That young prince was about seventeen, and like all the Orlans family, except the Duchess and the Comte de Beaujolais, was thoroughly indoctrinated with the detestable spirit that prevailed at the Palais Royal.Mme. de Genlis had before pointed out to him this danger, but he was very anxious to be with his sister, the only one of his nearest relations left to him, and she did not like to press the matter. But he soon saw that they must separate. The magistrates at Zug behaved very well, saying that the little family gave no reason for complaint, on the contrary were kind to the poor, harmless and popular.However, the tears of Mademoiselle dOrlans and the entreaties of her brother prevailed; and at the [439] last moment she got into the carriage leaving all her luggage behind except her watch and harp. Mme. de Genlis, however, had got hers so could supply her, for they could not wait to pack.
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