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After the giant a whole chain of lavender and rose-coloured peaks turning to blue came into sight in the marvellously clear atmosphere; then the sun rose below us, in the throbbing tide of heat the mountains seemed to come closer to us, but immediately the mist gathered about Gaurisankar. "The Apsaras wearing impenetrable veils, that mortals may not gaze too long on the throne of the gods,"[Pg 152] said my sa?s, who had fallen on his face since the first appearance of the snow-crowned colossus, with hands upraised towards the paradise of Indra.

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Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.Afternoon, in the bazaar, in the warm glow of the sinking sun, wonderfully quiet. No sound but that of some workmen's tools; no passers-by, no shouting of voices, no bargaining. A few poor people stand by the stalls and examine the goods, but the seller does not seem to care. Invisible guzlas vibrate in the air, and the piping invitation of a moollah falls from the top of a minaret.

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TWO:Next came a whole row of very small shops, where there was an endless variety of trifles for sale, toys made of wood painted red and green; and finally, on the ground floor of houses ornamented with carvings and slender colonnades, in a cool and shady and silent street, were the sellers of silk and cloth.

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THREE:Then starting to his feet, and stretching out his arm to point at me, he poured forth invective in sharp, rapid speech. The words flowed without pause:
FORE:

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FORE:

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FORE:In the middle of a large garden outside the town was the visitors' bungalow, the divan, where the prince's prime minister received us, and made us welcome on behalf of his master. Hardly were we seated when in came the Rajah, driving two wonderful horses drawing a phaeton. Dressed in a long black coat over very narrow trousers of white muslin, Gohel Sheri Man Sinjhi wore a turban, slightly tilted from the left side, and made of hundreds of fine pale green cords rolled round[Pg 65] and round. The Prince of Morvi, and another of the Rajah's cousins, followed in perfectly appointed carriages, drawn by thoroughbreds. Last of all, carried by an attendant from her landau to the large reception-room where we sat gravely in a circle, came a little princess of seven years old, the Rajah's daughter. Enormous black eyes with dark blue lights, her tawny skin a foil to her jewels, and the gold and silver embroidery of a little violet velvet coat open over a long tunic of green silk, trousers of pink satin, and yellow leather slippers. A plum-coloured cap, worked with gold trefoils, was set very straight on her black hair; she wore, in her ears, slender rings of gold filigree, and had a nose-stud of a fine pearl set in gold. She stood between her father's knees, squeezing close up to him with downcast eyes, never daring to stir but when we seemed to be paying no heed to her.

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FORE:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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FORE:

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THREE: FORE:My friend T, long a resident in India, and quite unmoved by the habitual turmoil of the native Hindoos, finally settled the difficulty between the cabbage of the priests and the soldiers' goat; the men would put on hemp-shoes, and we also, over our leather boots; as to the belt and gun-slings, as they only touched the soldiers themselves, they could defile nothing and might be allowed to pass.
THREE:One of them was standing against a curtain of black satin embroidered with gold; muslin that might have been a spider's web hardly cast a mist over her sheenless skin, pale, almost white against the glistening satin and gold, all brightly lighted up. With a large hibiscus flower in her hand she stood in a simple attitude, like an Egyptian painting, then moved a little, raising or lowering an arm, apparently not seeing the passers-by who gazed at herlost in a dream that brought a strange green gleam to her dark eyes.
FORE: Lead Designer

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FORE: Serior Analyst

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FORE: Lead Developer

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199 ONE:
890 ONE:[Pg 224]
THREE:Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.Then the dancing began again, interrupted for a minute by the call of the night-watchman as he went past carrying a long bamboo. He paused for a moment to watch the performance, and then was lost in the darkness.
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"No; the Virgin Mary."A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace.
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