These evening parties were usually delightful; those of the Princesse de Rohan-Rochefort were especially so. The intimate friends of the Princess, the Comtesse de Brionne, Princesse de Lorraine, Duc de Choiseul, Duc de Lauzun, Cardinal de Rohan, and M. de Rulhires, a distinguished literary [32] man, were always present, and other pleasant and interesting people were to be met there.But Pauline knew well enough that the Vicomte de Beaune would never tolerate the presence of La Fayette in his house, nor forgive her if she received them there. Having explained this to her [223] sister, she met her secretly at a little roadside inn where she knew they would stop to change horses.The newly risen were uneasy and jealous of the [480] emigrs, and not unnaturally irritated at the provocation they often gave them and the scorn with which they were not seldom treated.
Director
Mesdames de France, the Kings daughters, of whom there had been seven or eight, were now reduced to five, four of whom were unmarried. Nothing is more characteristic of the period than the way these princesses were brought up and educated; and the light thrown upon manners and customs early in the eighteenth century gives interest to all the details concerning them.Mlle. de Mirepoix thought at first that he was [197] joking, but finding the transaction was serious, fainted with joy. They were married and belonged to the Queens intimate circle, but the union did not turn out any more happily than might have been expected. Soon the Revolution swept all away; they emigrated, but not together; he went to Germany, she to England. When afterwards he came to London, his wife went to Italy.They received Mme. Le Brun very kindly, and she next went to see the Comtesse de Provence, for the second and third brothers, the Counts of Provence and Artois, had taken refuge at their sisters court.The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.