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ONE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.The journey was insupportable. In the diligence with them was a dirty, evil-looking man, who openly confessed that he was a robber, boasting of the watches, &c., that he had stolen, and speaking of many persons he wished to murder �� la lanterne, amongst whom were a number of the acquaintances of Mme. Le Brun. The little girl, now five or six years old, was frightened out of her wits, and her mother took courage to ask the man not to talk about murders before the child.

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  THREE:Mme. Le Brun nursed her through it with a devotion she did not deserve, and then ill, exhausted, and out of spirits, set off for Moscow, where she arrived after a long journey full of hardships, bad roads, and thick fogs. The sight of Moscow, the ancient splendid capital, before it was devastated by the fire and sword of the invader, with its huge palaces and thousands of domes surmounted with gold crosses, filled her with admiration and delight. THREE:The pavilion of Mme. Du Barry had been sacked by the Revolutionists, only the walls were standing, while the palaces of Marly, Sceaux, and Bellevue had entirely disappeared.

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  THREE:One day Lisette was driving, and seeing him coming when her coachman did not, she called out�� THREE:For some time the character of Paul had become more and more gloomy and menacing; his mind was filled with the darkest suspicions, even to the extent of believing that the Empress and his children were conspiring against his life; which was all the more terrible for the Empress Marie, as they had for many years, as long as the Empress Catherine lived, been very happy together, and in spite of everything she still remained deeply attached to him.But besides their hostility to religion, the private characters of these philosophers did not, in many cases, by any means correspond with their writings and professions.

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  THREE:��It is a mistake,�� she exclaimed. ��If I appealed to justice it would be too slow; but the beauty of clemency is that it is quick.�� THREE:The Marquis was celebrated for his good looks, and was very rich; but her marriage with him was disastrous for the son and daughter of her first husband, to whom she took a violent and unnatural dislike. She sent her son to America to get rid of him when he was thirteen, and when he arrived there he escaped to Canada, took refuge with the Indians, and made them understand that he had been abandoned by his mother and wanted to live with them, to which they consented on condition of his being tattooed all over.

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  THREE:Whether this dastardly trick was done out of mere spite and envy, or only in order to save the reputation of the guilty woman at the expense of the innocent one, Mme. Le Brun never knew, and of course had no more communication with the person in question.When Manuel, one of the authors of the September massacres, was taken to the Conciergerie and stood before the tribunal, a group of prisoners standing by, regardless of the gendarmes, pushed him against a pillar, still stained with the blood shed on that fearful day, with cries of ��See the blood you shed,�� [106] and through applause and ��bravos�� he passed to his doom. THREE:He met the Comtesse de Provence as they had arranged, having taken the precaution of escaping separately. They arrived at Brussels in safety, and afterwards joined their brother and sister at the court of the Countess��s father at Turin, where they were joyfully received by the Princess Clotilde, and afterwards rejoined by their aunts.They stopped at Puy, where they found awaiting them at the inn a certain old Dr. Sauzey, who had been born on an estate of M. de Beaune, and cherished a deep attachment for the Montagu family. He still practised in the neighbourhood where he attended the poor for nothing, knew every man, woman, and child for miles round, was beloved by them all, and very influential among them. He knew all the peasants and country people who had bought land belonging to the Montagu family, and had so lectured and persuaded them that numbers now came forward and offered to sell it back at a very moderate price. The good old doctor even advanced the money to pay them at once, and having settled their affairs in V��lay they passed on to Auvergne.

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ONE:LA MARQUISE DE POMPADOUR

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ONE:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc d��Epernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb�� Cartier, cur�� of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbyt��re with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbyt��re, and when the good Abb�� returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.Their aunt, the Mar��chale de Mouchy, called then the Comtesse de Noailles, was about this time appointed first lady of honour to the Archduchess Marie Antoinette of Austria, whose approaching marriage with the Dauphin was the great event of the day; and was sent with the other distinguished persons selected to meet her at the frontier. This alliance was very unpopular with the royal family and court, who disliked Austria and declared that country to be the enemy of France, to whom her interests were always opposed. Madame Ad��la?de especially, made no secret of her displeasure, and when M. Campan came to take her orders before setting off for the frontier with the household of the Dauphin, she said that she disapproved of the marriage of her nephew with the Archduchess, and if she had any order to give it would not be to fetch an Austrian.

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ONE:Those whose ideas of France in the eighteenth century are derived only from such books as Dickens�� ��Tale of Two Cities,�� or even from a casual acquaintance with a few of the histories and chronicles of the time, are apt vaguely to picture to themselves a nation composed partly of oppressed, starving peasants, and partly of their oppressors, a race of well-bred ruffians and frivolous, heartless women; all splendidly dressed, graceful, polite, and charming in their manners amongst themselves; but arrogant, cruel, and pitiless to those beneath them.The first meeting of T��r��zia with the man who was to play the most important part in her life took place in the studio of Mme. Le Brun, to be painted by whom was then the height of fashion. Mme. Le Brun, enraptured with her beauty and dissatisfied with her own representation of it, was a long time altering and retouching, and every day saw some new improvement to make.

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