ONE:Adrienne especially believed implicitly in her husband, who was now the supreme fashion amongst the Liberals, fted, flattered by high and low, and just at this time the idol of the people; a popularity which soon gave place to hatred, and which did no good while it lasted.Vien, who had been first painter to the King; Grard, Gros, and Girodet, the great portrait painters (all pupils of David), and her old friend Robert, were constant guests. With David she was not on friendly terms; his crimes and cruelties during the Revolution caused her to regard him with horror. He had caused Robert to be arrested, and had done all he could to increase the horrors of his imprisonment. He had also tried to circulate the malicious reports about Calonne and Mme. Le Brun, of whom he was jealous, though his real love for his art made him acknowledge the excellence of her work.
THREE:She married, in 1788, the Marquis de Grammont.Between Mesdames and their nephews and nieces [180] there was always the most tender affection. They had adored their brother, were inconsolable for his loss, and devoted to his children, whom they spoilt to their hearts content, giving them everything they liked, and allowing any amount of noise, disturbance, and mischief to go on in their presence. Madame Adla?de, who was extremely fond of the eldest boy, would say to him, Talk at your ease, Berri, shout like your brother Artois. Make a noise, break my porcelaines, but make yourself talked about.
THREE:In reading the memoirs and chronicles of that time one scarcely realises the existence of the many families and households, especially among the noblesse de province [8] or country gentlemen, and the middle classes, amongst whom the principles of order and religion were observed; and of an increasing circle of literary and philosophic persons who inveighed against the crimes, vices, and abuses of the age.