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The Abbess might receive in her apartment and at dinner whatever guests she chose, men or women, but no men might go to the cloisters or any other part of the abbey. She had a carriage, horses, and servants of her own, and might go out when and where she pleased, taking with her any nuns she chose. She often drove to see different farms, &c., belonging to the abbey, and to visit sick people.

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David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.This was all the more inexplicable as he not only suspected and accused her of conspiracy, but made no pretence of being faithful to her, and had taken away Mme. Chevalier, the mistress of his devoted valet de chambre, Koutaivoff. The doors between his own apartments and those of the Empress he had caused to be double-locked, thereby preventing his own escape when the conspirators forced their way into his room, headed by Zuboff, whom he had first exiled, then loaded with favours.Many heroic people, women especially, managed to get stolen interviews with those belonging to them shut up in the different prisons. Mme. de Beuguot used to visit her husband disguised as a washer-woman, and through her devotion, courage, and good management he was ultimately saved. Some [330] bribed or persuaded the more humane gaolers, and one man was visited through all his imprisonment by his two little children who came with no other guardian than their large dog. The faithful creature brought them safe there and back every day, watching carefully that they were not run over.
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ONE:[73] TWO:The Comtesse de Noailles was a most unfortunate choice to have made for the post in question; for although a woman of the highest character, religious, charitable, and honourable, she was so stiff, precise, [187] and absolutely the slave of every detail of court etiquette that she only tormented and estranged the young girl, who was ready to be conciliated, and whom she might have influenced and helped. The Dauphine, however, an impetuous, thoughtless girl of fifteen, accustomed to the freedom of her own family life at the court of Vienna, hated and ridiculed the absurd restrictions of the French Court, called the Countess Madame lEtiquette, and took her own way.


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THREE:Interesting societyAnecdotes of the past TerrorCasimirThe RestorationMadame RoyaleLouis XVIII.The coiffeur of Marie AntoinetteThe regicideReturn of the Orlans familyAn astrologerA faithful servantSociety of the RestorationIsabeyMeyerbeerConclusion.

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THREE:[234]There was a great difference amongst the prisons of Paris, and the Luxembourg was perhaps the best, most comfortable, and most aristocratic of all, though the Convent des Oiseaux, the Anglaises, and Port Libre, were also very superior to others.

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THREE:The Duc dOrlans, leaving the room when she came to see them, returned, bringing his young wife, who said graciously, Madame, I have always longed to know you, for there are two things I love passionately, your pupils and your books.DAlembert was one of the most constant and intimate habitus of the salon of Mme. Geoffrin, then the stronghold of the philosophers and encyclop?dists, as that of the Duchesse de Luxembourg was of the aristocratic beau monde.
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THREE:Lisette rejoiced at this announcement, for she fancied she would like to live in the country, at any rate for a part of the year.
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THREE:La substance du peuple et la honte du Roi.

ONE:Always eager to marry his officers, he was often very peremptory about it.

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ONE:Of that I wash my hands, he exclaimed hastily. Then softening his voice: I was told you were divorced?
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TWO:So saying, he got into the carriage that was waiting at the church door, and she saw no more of him.IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.

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M. de Montyon was furious, he flew into a rage, called till he succeeded in attracting attention, and then, discovering that the young man he had called an insolent rascal was his royal Highness, Monseigneur le Comte dArtois, hurried away in dismay.Lisette was in despair when she saw it, but fortunately some friends of her mothers came one Sunday to dine there with them, and were so shocked that they used often to fetch her away and take her out with them on long excursions to all the parks, chateaux, and delightful places in the neighbourhood.It was before the death of Louis XV., the court was at Compigne, and the young Prince, since his marriage was decided, had been less strictly looked after by the Comte de Montbel, his sous gouverneur, who would not usually allow him to go alone into the thicker parts of the forest, not because of wild beasts but of other not less dangerous encounters which were possible.Although not a great painter he was absolutely devoted to his art, in which he would become so absorbed as to forget everything else. On one occasion he was going out to dinner and had already left the house, when he remembered something he wanted to do to a picture upon which he was working. He therefore went back, took off the wig he was wearing, put on a night-cap, and began to retouch the picture. Presently he got up, went out again, forgetting all about the night-cap which [14] he still had on, and which formed a singular contrast to his coat trimmed with gold braid, and the sword at his side; and would certainly have presented himself at the party to which he was going in this costume had he not fortunately met a neighbour, who stopped him and pointed out the strangeness of his appearance.
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