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TWO:"Even so, Madame. I make no idle boast. Before I leave here the name of an innocent man will be cleared."

FORE:When the Germans entered Bilsen for the first time, four persons were shot in front of the town-hall; fifteen holes were still to be seen in the wall. Amongst these four was also the brother-in-law of the editor of the Bilsenaar. He was dragged out of his house, accused of having shot, although he and his wife and children were at that moment saying the rosary. His wife had got up that day for the first time after her confinement.Nor was this all. Laws and justice once established would65 require to have their origin accounted for, and, according to the usual genealogical method of the early Greeks, would be described as children of the gods, who would thus be interested in their welfare, and would avenge their violation��a stage of reflection already reached in the Works and Days of Hesiod.

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TWO:

FORE:The fascination exercised by Plotinus was not only intellectual, but personal. Singularly affable, obliging, and patient, he was always ready to answer the questions of his friends, even laying aside his work in order to discuss the difficulties which they brought to him for solution. His lectures were given in Greek; and although this always remained to him a foreign language, the pronunciation and grammar of which he never completely mastered, his expressions frequently won admiration by their felicity and force; and the effect of his eloquence was still further heightened by the glowing enthusiasm which irradiated his whole countenance, naturally a very pleasing one, during the delivery of the more impressive passages.410

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TWO:On turning from the conduct of State affairs to the administration of justice in the popular law courts, we find the same tale of iniquity repeated, but this time with more telling satire, as Plato is speaking from his own immediate experience. He considers that, under the manipulation of dexterous pleaders, judicial decisions had come to be framed with a total disregard of righteousness. That disputed claims should be submitted to a popular tribunal and settled by counting heads was, indeed, according to his view, a virtual admission that no absolute standard of justice existed; that moral truth varied with individual opinion. And this200 is how the character of the lawyer had been moulded in consequence:��Keeping these various points in mind, an apprentice will derive both pleasure and advantage from tracing their application in steam-hammers, which may come under notice, and various modifications of the mechanism will only render investigation more interesting.

FORE:So far Aristotle gives us a purely superficial and sensational view of the drama. Yet he could not help seeing that there was a moral element in tragedy, and he was anxious to show, as against Plato, that it exercised an improving effect on the audience. The result is his famous theory of the Catharsis, so long misunderstood, and not certainly understood even now. The object of Tragedy, he tells us, is to purify (or purge away) pity and terror by means of those emotions themselves. The Poetics seems originally to have contained an explanation of this mysterious utterance, now lost, and critics have endeavoured to supply the gap by writing eighty treatises on the subject. The result has been at least to show what Aristotle did not mean. The popular version of his dictum, which is that tragedy purges the passions by pity and terror, is clearly inconsistent with the wording of the original text. Pity and terror are both the object and the instrument of purification. Nor yet does he mean, as was once supposed,306 that each of these emotions is to counterbalance and moderate the other; for this would imply that they are opposed to one another, whereas in the Rhetoric he speaks of them as being akin; while a parallel passage in the Politics188 shows him to have believed that the passions are susceptible of homoeopathic treatment. Violent enthusiasm, he tells us, is to be soothed and carried off by a strain of exciting, impassioned music. But whence come the pity and terror which are to be dealt with by tragic poetry? Not, apparently, from the piece itself, for to inoculate the patient with a new disease, merely for the sake of curing it, could do him no imaginable good. To judge from the passage in the Politics already referred to, he believes that pity and terror are always present in the minds of all, to a certain extent; and the theory apparently is, that tragedy brings them to the surface, and enables them to be thrown off with an accompaniment of pleasurable feeling. Now, of course, we have a constant capacity for experiencing every passion to which human nature is liable; but to say that in the absence of its appropriate external stimulus we are ever perceptibly and painfully affected by any passion, is to assert what is not true of any sane mind. And, even were it so, were we constantly haunted by vague presentiments of evil to ourselves or others, it is anything but clear that fictitious representations of calamity would be the appropriate means for enabling us to get rid of them. Zeller explains that it is the insight into universal laws controlling our destiny, the association of misfortune with a divine justice, which, according to Aristotle, produces the purifying effect;189 but this would be the purgation of pity and terror, not by themselves, but by the intellectual framework in which they are set, the concatenation of events, the workings of character, or the reference of everything to an eternal cause. The truth is that Aristotle��s explanation of the moral effect produced by tragedy is307 irrational, because his whole conception of tragedy is mistaken. The emotions excited by its highest forms are not terror and pity, but admiration and love, which, in their ideal exercise, are too holy for purification, too high for restriction, and too delightful for relief.At Thourout all convents and large buildings had been turned into hospitals, and the streets on both sides were full of big wagons. Hundreds of soldiers went off, and large convoys of carts were standing243 in the meadows and on the roads, where officers and men were also practising riding. We were here in the rear, where there was a continuous going and coming from the front. Most soldiers were in a more or less excited mood; some did not hide their discontent, or sat musing dejectedly, asking themselves how these terrible days would end for them? Others again seemed to have got into a sort of frenzy in consequence of the continuous fighting and were not able to think logically at all. They told excited stories about the British whom they had killed, and chased away from the 42 c.m. guns, who, according to them, were also at work in the swampy soil near Nieuwpoort, and also told about the shooting civilians, and those cursed Belgians, who cut open the bellies of their poor wounded, or sliced off their noses, hands, and ears. Of course pure fairy tales, but recited with much power of conviction.

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