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Thus time passed on till she was six-and-twenty, when she formed an intimate friendship with the Marquise de Fontenille, a widow who had come to live in the convent. M. Ducrest, then de Champcry, a good-looking man of thirty-seven, who had lately left the army, was a relation of Mme. de Fontenille, and often came to the parloir to see her. He also saw Mlle. de Mzires, with whom he fell in love, and whom he proposed to marry. He had a few hundreds a year, the small castle of Champcry, and a little property besides; while Mlle. de Mzires had less than two thousand pounds, her mother having seized all the rest of the fortune of her father. But such was her unnatural spite against her daughter that she refused her consent for three months, and although she was at last obliged to give it, she would give neither dot, trousseau, nor presents, all of which were provided by the good Abbess.Flicit seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.
ONE:

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TWO:The Queen had bad health and saw very little of them, although she loved them in her apathetic way, but she was too much occupied with her devotions, her nerves, and her health to trouble herself much about them. If there was going to be a thunder-storm, or she was nervous and could not go to sleep, she would make one of her ladies sit by her bed all night, holding her hand and telling her stories. On [168] one occasion, after the death of the Kings mistress, the Duchesse de Chateauroux, she was dreadfully afraid lest she should see her ghost, and so tormented the lady-in-waiting who sat by her, that she at last exclaimed

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TWO:I will never give it you! If you want to get it, kill me! And she swallowed it.

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TWO:One of her new friends was the Countess Kinska, who, as she observed, was neither maid, wife, nor widow, for she and her husband had been married according to their parents arrangement, without ever having seen each other, and after the ceremony Count Kinska, turning to her, said

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TWO:Accustomed all her life to be surrounded by friends, to be made much of and allowed to do as she liked wherever she went, she had followed her own fashion of wearing a certain style of dress, artistic, characteristic, but inexpensive. Nobody had objected to the simple toilettes of soft muslin, gracefully arranged, nor to the scarves and handkerchiefs she twisted in her hair. But she became suddenly conscious that they were by no means suitable to appear before the formidable personage, whom she pictured to herself as tall, dark, gloomy, and terrible, moreover the Countess Esterhazy looked at her in astonishment, and with much hesitation saidHowever, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.

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Mme. de Genlis went with M. de Valence to see her two days after her return, and was coldly received, but their relations to each other quickly returned to their usual terms.Louis XIV., to whom the idea of the people allowing the King to do anything he chose must have appeared ludicrous, replied that their love for their King would, indeed, be excessive if they would not bear him out of their sight, and ended by sayingAs the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.The salon of the famous Mme. Geoffrin was the great resort of philosophers, literary men of different kinds, painters, musicians, and celebrities of various countries, people distinguished in the political world, or belonging to the court and the great noblesse, French and foreign.Her favourite picture, the Sibyl, was bought by the Duc de Berri, to whom she parted with it rather reluctantly. In 1813 M. Le Brun died. His death was rather a melancholy regret than [157] a real sorrow to her, as they had long been separated by mutual consent.
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