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Company Logo TWO:Madame, you must come, it is the will of God, let us bow to His commands. You are a Christian, I am going with you, I shall not leave you.Madame?when Talleyrand heard and interposed.
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TWO:There had, in fact, been a strong reaction against the restraint and dullness of the last few years of the reign of Louis XIV., when the magnificent, pleasure-loving King, whose victorious armies had devastated Europe, who had made princes of his illegitimate children, lavished the riches of the country upon his mistresses, and yet in his stately beauty and fascination been the idol of France; had changed into a melancholy old man, depressed and disillusioned, looking with uneasiness upon the past, with fear upon the future; while the brilliant beauties and splendid festivities of bygone days had given place to virtue, strict propriety, and Mme. de Maintenon.

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TWO:Accordingly he pretended to be mad, and wandered all day about the streets of Paris, wearing an old Court dress and an enormous wig, talking extravagantly, making foolish jokes, but all the time looking for the Chevalier .
THREE:Madame, do you know what it costs to wish for once in ones life to see the sun rise? Read that and tell me what you think of the poetry of our friends.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.

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THREE:In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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THREE:

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TWO:Mme. de Tess had managed to preserve part of her fortune and was comparatively well off. She had more than once suggested that her niece should come to her, but Pauline would not leave her husband and father-in-law as long as she was necessary to them. Now, she saw that it would, as they were in such difficulty, be better to do so. Mme. de Tess, suspecting that her niece was much worse off than she would tell her, sent her a gold snuff-box that had belonged to Mme. de Maintenon, which she sold for a hundred pounds. M. de Montagu decided to ask for hospitality with his maternal grandfather, the Marquis de la Salle who was living at Constance, and M. de Beaune said he would find himself an abode also on the shores of that lake. THREE:It consisted, at the death of Louis XV., of the King, aged nineteen; the Queen, eighteen; the Comte de Provence, eighteen; the Comtesse de Provence, twenty; the Comte dArtois, seventeen; and the Comtesse dArtois, eighteen. Of Mesdames Adla?de, Victoire, Sophie, and Louise, the last of whom was a Carmelite nun, and whose ages were from thirty-eight to forty-three.The life at Belle Chasse was, as she says, delicious. She had supreme authority, she was dispensed from the trouble of paying visits to any one but [403] Mme. de Puisieux; she had her mother and children to live with her; her husband and brother had posts in the household of the Duc de Chartres.
TWO:Trzia was much better off at the Carmes, for she was no longer au secret, but mixed in the day with the rest of the prisoners and shared a cell at night with the Duchesse dAiguillon and Josphine Vicomtesse de Beauharnais, whose husband, a revolutionary general and a thoroughly contemptible character, had lately been guillotined by his republican friends.Among the new friends she found most interesting was Angelica Kaufmann, who lived in Rome, and whose acquaintance she had long desired to make. That distinguished artist was then about fifty years old; her health had suffered from the troubles caused by her unfortunate marriage with an adventurer who had ruined her earlier years. She was now the wife of an architect, whom Lisette pronounced to be like her homme daffaires. Sympathetic, gentle, and highly cultivated, Lisette found her conversation extremely interesting, although the calmness and absence of enthusiasm in her character contrasted strongly with her own ardent, imaginative nature. She showed her several both of her finished pictures and sketches, of which Lisette preferred the latter, the colour being richer and more forcible.
After this Flicit and her husband returned to Genlis, where they spent the summer with the Marquis and the wife he had recently married.Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.Mme. Auguiers affection for the Queen cost her her life. In the fury of the Revolution, knowing her to be without money, she lent Marie Antoinette twenty-five louis. This became known, and a mob rushed to her house to take her to prison and execution. In a frenzy of terror Mme. Auguier threw herself out of the window, and was killed on the spot. [37]
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