THREE:A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aliquam aut tenetur, amet earum quia eligendi obcaecati. Repudiandae id illum, vero iste enim reprehenderit quaerat, harum pariatur ipsa nulla tempora ex ratione illo assumenda libero ea, delectus vitae, expedita optio porro.
ONE:[Pg 231]
ONE:The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.
ONE:The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.
